Tensions Between Abstraction and Replication in Early-Twentieth Century Design: Norman Bel Geddes' Designs for Broadway's "The Miracle"
I make a major contribution to American scenographic historiography with this revised account of Norman Bel Geddes set for Max Reinhardts 1924 Broadway production of The Miracle, a design theatre scholars have consistently used not only to define Geddes aesthetic versatility, but also as a prime exe...
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| Format: | Others |
| Language: | en |
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LSU
2013
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| Online Access: | http://etd.lsu.edu/docs/available/etd-04102013-163651/ |