Friends of Bill F.: Alcohol, Recovery, and Social Progress in Southern Fiction

In Friends of Bill F.: Alcohol, Recovery, and Social Progress in Southern Fiction, I argue that many southern writers use the trope of drunkenness to investigate the Souths often hesitant stance toward social change. The overwhelming presence of hard drinking in southern fiction is so ubiquitous th...

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Main Author: Picken, Conor Adam
Other Authors: Stauffer, Suzanne
Format: Others
Language:en
Published: LSU 2013
Subjects:
Online Access:http://etd.lsu.edu/docs/available/etd-04092013-103115/
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spelling ndltd-LSU-oai-etd.lsu.edu-etd-04092013-1031152013-04-13T03:29:18Z Friends of Bill F.: Alcohol, Recovery, and Social Progress in Southern Fiction Picken, Conor Adam English In Friends of Bill F.: Alcohol, Recovery, and Social Progress in Southern Fiction, I argue that many southern writers use the trope of drunkenness to investigate the Souths often hesitant stance toward social change. The overwhelming presence of hard drinking in southern fiction is so ubiquitous that it becomes nearly invisible, and what distinguishes twentieth century southern literary representations of alcohol from their antecedents is how overconsumption reflects a dis-ease in both the individual drinker and the region as a whole. Emerging from the concept of diseased drinking is the idea of recovery, and by foregrounding recovery language alongside depictions of addiction, these texts privilege drinking-recovery as the metaphor through which to signify how southerners confronted progress. My intervention into the discourse of the South and modernity traces the literary contours of alcoholism alongside the emerging Sobriety Movement that became popularized with the rise of Alcoholics Anonymous, to suggest that recovery from alcoholism perhaps anticipates individual and social progress. I argue that progress remained conceptually problematic for writers like William Faulkner, Robert Penn Warren, and Cormac McCarthy who saw the Souths tepid relationship to social change as hypocritical. Stauffer, Suzanne May, John R. Moreland, Rick Costello, Brannon LSU 2013-04-12 text application/pdf http://etd.lsu.edu/docs/available/etd-04092013-103115/ http://etd.lsu.edu/docs/available/etd-04092013-103115/ en unrestricted I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.
collection NDLTD
language en
format Others
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topic English
spellingShingle English
Picken, Conor Adam
Friends of Bill F.: Alcohol, Recovery, and Social Progress in Southern Fiction
description In Friends of Bill F.: Alcohol, Recovery, and Social Progress in Southern Fiction, I argue that many southern writers use the trope of drunkenness to investigate the Souths often hesitant stance toward social change. The overwhelming presence of hard drinking in southern fiction is so ubiquitous that it becomes nearly invisible, and what distinguishes twentieth century southern literary representations of alcohol from their antecedents is how overconsumption reflects a dis-ease in both the individual drinker and the region as a whole. Emerging from the concept of diseased drinking is the idea of recovery, and by foregrounding recovery language alongside depictions of addiction, these texts privilege drinking-recovery as the metaphor through which to signify how southerners confronted progress. My intervention into the discourse of the South and modernity traces the literary contours of alcoholism alongside the emerging Sobriety Movement that became popularized with the rise of Alcoholics Anonymous, to suggest that recovery from alcoholism perhaps anticipates individual and social progress. I argue that progress remained conceptually problematic for writers like William Faulkner, Robert Penn Warren, and Cormac McCarthy who saw the Souths tepid relationship to social change as hypocritical.
author2 Stauffer, Suzanne
author_facet Stauffer, Suzanne
Picken, Conor Adam
author Picken, Conor Adam
author_sort Picken, Conor Adam
title Friends of Bill F.: Alcohol, Recovery, and Social Progress in Southern Fiction
title_short Friends of Bill F.: Alcohol, Recovery, and Social Progress in Southern Fiction
title_full Friends of Bill F.: Alcohol, Recovery, and Social Progress in Southern Fiction
title_fullStr Friends of Bill F.: Alcohol, Recovery, and Social Progress in Southern Fiction
title_full_unstemmed Friends of Bill F.: Alcohol, Recovery, and Social Progress in Southern Fiction
title_sort friends of bill f.: alcohol, recovery, and social progress in southern fiction
publisher LSU
publishDate 2013
url http://etd.lsu.edu/docs/available/etd-04092013-103115/
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