A Peculiar Paradigm of Perpetual Parallax

Reality estranges as an encumbrance, a cage that traps with its clipped wings, layered veils, and stiff blankets. This hold subsists as an immovable vessel potted but never earthboundmounted in a strained compartment, like jars with tight lids, lacking: in air, in breath, in imaginary attributes. Fi...

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Bibliographic Details
Main Author: Willett, Randi Marie
Other Authors: Alexius, Nolde
Format: Others
Language:en
Published: LSU 2016
Subjects:
Art
Online Access:http://etd.lsu.edu/docs/available/etd-01192016-141405/
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spelling ndltd-LSU-oai-etd.lsu.edu-etd-01192016-1414052016-03-04T03:51:30Z A Peculiar Paradigm of Perpetual Parallax Willett, Randi Marie Art Reality estranges as an encumbrance, a cage that traps with its clipped wings, layered veils, and stiff blankets. This hold subsists as an immovable vessel potted but never earthboundmounted in a strained compartment, like jars with tight lids, lacking: in air, in breath, in imaginary attributes. Finally, with a last breath, an emergence blooms upon that which contextualizes momentary reality or rather that which defines a metaphorical escape from actuality. My singular endeavor is to escape. My momentary escape is found in the illusory. My illusion is a perception of reality and with this perception I find my singular endeavor... escape. With this work, I want to shift the ever-changing, kaleidoscope imagery of what is seen and what was seen in which our initial perception reads differently when we fit together varying fragments of a photograph. In doing so we look for not what is reality, but that which we have been primed to look for something false. Surrounded by enigmatic narratives, the works reveals two sides of peripeteia moments. Interrupting these works as fictions or to create a notion of fantasy that is read as purely theater exposes that escape is inevitable regardless of circumstance, but in which way we meet with escape is veiled in darkness. May all those who proceed ahead become a player in the works of their own accord Alexius, Nolde Thompson, Kristine Cellucci, Vincent Spieth, Darius Kelley, Kelli Nam, Hye Yeon LSU 2016-03-03 text application/pdf http://etd.lsu.edu/docs/available/etd-01192016-141405/ http://etd.lsu.edu/docs/available/etd-01192016-141405/ en unrestricted I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.
collection NDLTD
language en
format Others
sources NDLTD
topic Art
spellingShingle Art
Willett, Randi Marie
A Peculiar Paradigm of Perpetual Parallax
description Reality estranges as an encumbrance, a cage that traps with its clipped wings, layered veils, and stiff blankets. This hold subsists as an immovable vessel potted but never earthboundmounted in a strained compartment, like jars with tight lids, lacking: in air, in breath, in imaginary attributes. Finally, with a last breath, an emergence blooms upon that which contextualizes momentary reality or rather that which defines a metaphorical escape from actuality. My singular endeavor is to escape. My momentary escape is found in the illusory. My illusion is a perception of reality and with this perception I find my singular endeavor... escape. With this work, I want to shift the ever-changing, kaleidoscope imagery of what is seen and what was seen in which our initial perception reads differently when we fit together varying fragments of a photograph. In doing so we look for not what is reality, but that which we have been primed to look for something false. Surrounded by enigmatic narratives, the works reveals two sides of peripeteia moments. Interrupting these works as fictions or to create a notion of fantasy that is read as purely theater exposes that escape is inevitable regardless of circumstance, but in which way we meet with escape is veiled in darkness. May all those who proceed ahead become a player in the works of their own accord
author2 Alexius, Nolde
author_facet Alexius, Nolde
Willett, Randi Marie
author Willett, Randi Marie
author_sort Willett, Randi Marie
title A Peculiar Paradigm of Perpetual Parallax
title_short A Peculiar Paradigm of Perpetual Parallax
title_full A Peculiar Paradigm of Perpetual Parallax
title_fullStr A Peculiar Paradigm of Perpetual Parallax
title_full_unstemmed A Peculiar Paradigm of Perpetual Parallax
title_sort peculiar paradigm of perpetual parallax
publisher LSU
publishDate 2016
url http://etd.lsu.edu/docs/available/etd-01192016-141405/
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