A Peculiar Paradigm of Perpetual Parallax
Reality estranges as an encumbrance, a cage that traps with its clipped wings, layered veils, and stiff blankets. This hold subsists as an immovable vessel potted but never earthboundmounted in a strained compartment, like jars with tight lids, lacking: in air, in breath, in imaginary attributes. Fi...
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ndltd-LSU-oai-etd.lsu.edu-etd-01192016-1414052016-03-04T03:51:30Z A Peculiar Paradigm of Perpetual Parallax Willett, Randi Marie Art Reality estranges as an encumbrance, a cage that traps with its clipped wings, layered veils, and stiff blankets. This hold subsists as an immovable vessel potted but never earthboundmounted in a strained compartment, like jars with tight lids, lacking: in air, in breath, in imaginary attributes. Finally, with a last breath, an emergence blooms upon that which contextualizes momentary reality or rather that which defines a metaphorical escape from actuality. My singular endeavor is to escape. My momentary escape is found in the illusory. My illusion is a perception of reality and with this perception I find my singular endeavor... escape. With this work, I want to shift the ever-changing, kaleidoscope imagery of what is seen and what was seen in which our initial perception reads differently when we fit together varying fragments of a photograph. In doing so we look for not what is reality, but that which we have been primed to look for something false. Surrounded by enigmatic narratives, the works reveals two sides of peripeteia moments. Interrupting these works as fictions or to create a notion of fantasy that is read as purely theater exposes that escape is inevitable regardless of circumstance, but in which way we meet with escape is veiled in darkness. May all those who proceed ahead become a player in the works of their own accord Alexius, Nolde Thompson, Kristine Cellucci, Vincent Spieth, Darius Kelley, Kelli Nam, Hye Yeon LSU 2016-03-03 text application/pdf http://etd.lsu.edu/docs/available/etd-01192016-141405/ http://etd.lsu.edu/docs/available/etd-01192016-141405/ en unrestricted I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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Art Willett, Randi Marie A Peculiar Paradigm of Perpetual Parallax |
description |
Reality estranges as an encumbrance, a cage that traps with its clipped wings, layered veils, and stiff blankets. This hold subsists as an immovable vessel potted but never earthboundmounted in a strained compartment, like jars with tight lids, lacking: in air, in breath, in imaginary attributes. Finally, with a last breath, an emergence blooms upon that which contextualizes momentary reality or rather that which defines a metaphorical escape from actuality.
My singular endeavor is to escape.
My momentary escape is found in the illusory.
My illusion is a perception of reality and with this perception I find my singular endeavor... escape.
With this work, I want to shift the ever-changing, kaleidoscope imagery of what is seen and what was seen in which our initial perception reads differently when we fit together varying fragments of a photograph. In doing so we look for not what is reality, but that which we have been primed to look for something false. Surrounded by enigmatic narratives, the works reveals two sides of peripeteia moments. Interrupting these works as fictions or to create a notion of fantasy that is read as purely theater exposes that escape is inevitable regardless of circumstance, but in which way we meet with escape is veiled in darkness.
May all those who proceed ahead become a player in the works of their own accord |
author2 |
Alexius, Nolde |
author_facet |
Alexius, Nolde Willett, Randi Marie |
author |
Willett, Randi Marie |
author_sort |
Willett, Randi Marie |
title |
A Peculiar Paradigm of Perpetual Parallax |
title_short |
A Peculiar Paradigm of Perpetual Parallax |
title_full |
A Peculiar Paradigm of Perpetual Parallax |
title_fullStr |
A Peculiar Paradigm of Perpetual Parallax |
title_full_unstemmed |
A Peculiar Paradigm of Perpetual Parallax |
title_sort |
peculiar paradigm of perpetual parallax |
publisher |
LSU |
publishDate |
2016 |
url |
http://etd.lsu.edu/docs/available/etd-01192016-141405/ |
work_keys_str_mv |
AT willettrandimarie apeculiarparadigmofperpetualparallax AT willettrandimarie peculiarparadigmofperpetualparallax |
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