Modalités de lecture du nouveau roman
In this thesis, we examine theories of reading as they apply to three examples of the French New Novel. We begin with a detailed theoretical expose in which we compare and attempt to reconcile the reading models of Umberto Eco, Wolfgang Iser, Stanley Fish, Bertrand Gervais and Richard Saint-Gelai...
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ndltd-LACETR-oai-collectionscanada.gc.ca-QMM.797912014-02-13T03:55:22ZModalités de lecture du nouveau romanMacklovitch, David NathanielFrench fiction -- 20th century -- History and criticismNew novel (Literary movement)In this thesis, we examine theories of reading as they apply to three examples of the French New Novel. We begin with a detailed theoretical expose in which we compare and attempt to reconcile the reading models of Umberto Eco, Wolfgang Iser, Stanley Fish, Bertrand Gervais and Richard Saint-Gelais. The hybrid theory thus obtained is then tested on three works in order to underscore the modalities of reading that are particular to the New Novel, while insisting on these modalities' inherent variability. We focus on the reader's reconstructing of the narrative in L'Emploi du temps , on the impossibility of structuring the plot in La Maison de rendez-vous, and on the paradigmatic mode of reading La Bataille de Pharsale. In so doing, we hope to demonstrate how an analysis of the reading process allows for a heightened appreciation of the essential indeterminacy of the New Novel, of its fundamental otherness. We conclude with tentative remarks on the heuristic function of these texts.McGill UniversityLane-Mercier, Gillian (advisor)2002Electronic Thesis or Dissertationapplication/pdffralephsysno: 001982901proquestno: AAIMQ88665Theses scanned by UMI/ProQuest.All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated.Master of Arts (Département de langue et littérature françaises.) http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79791 |
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French fiction -- 20th century -- History and criticism New novel (Literary movement) |
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French fiction -- 20th century -- History and criticism New novel (Literary movement) Macklovitch, David Nathaniel Modalités de lecture du nouveau roman |
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In this thesis, we examine theories of reading as they apply to three examples of the French New Novel. We begin with a detailed theoretical expose in which we compare and attempt to reconcile the reading models of Umberto Eco, Wolfgang Iser, Stanley Fish, Bertrand Gervais and Richard Saint-Gelais. The hybrid theory thus obtained is then tested on three works in order to underscore the modalities of reading that are particular to the New Novel, while insisting on these modalities' inherent variability. We focus on the reader's reconstructing of the narrative in L'Emploi du temps , on the impossibility of structuring the plot in La Maison de rendez-vous, and on the paradigmatic mode of reading La Bataille de Pharsale. In so doing, we hope to demonstrate how an analysis of the reading process allows for a heightened appreciation of the essential indeterminacy of the New Novel, of its fundamental otherness. We conclude with tentative remarks on the heuristic function of these texts. |
author2 |
Lane-Mercier, Gillian (advisor) |
author_facet |
Lane-Mercier, Gillian (advisor) Macklovitch, David Nathaniel |
author |
Macklovitch, David Nathaniel |
author_sort |
Macklovitch, David Nathaniel |
title |
Modalités de lecture du nouveau roman |
title_short |
Modalités de lecture du nouveau roman |
title_full |
Modalités de lecture du nouveau roman |
title_fullStr |
Modalités de lecture du nouveau roman |
title_full_unstemmed |
Modalités de lecture du nouveau roman |
title_sort |
modalités de lecture du nouveau roman |
publisher |
McGill University |
publishDate |
2002 |
url |
http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79791 |
work_keys_str_mv |
AT macklovitchdavidnathaniel modalitesdelecturedunouveauroman |
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1716641685396520960 |