Portrait de W., suivi de, L'oeuvre du souvenir
The first part of this M.A. thesis is composed of four stories whose common thread is memory. Childhood, first love, the betrayals of adult life, the approach of death. Four stages in a life narrated in the first and third person singular, four stories that could belong to the same female narrator....
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1998
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ndltd-LACETR-oai-collectionscanada.gc.ca-QMM.204722014-02-13T03:49:25ZPortrait de W., suivi de, L'oeuvre du souvenirOeuvre du souvenirSoucy, Linda.Memory in literature.The first part of this M.A. thesis is composed of four stories whose common thread is memory. Childhood, first love, the betrayals of adult life, the approach of death. Four stages in a life narrated in the first and third person singular, four stories that could belong to the same female narrator.The second part is an essay on the role of memory in literary creation. Various aspects of this issue are addressed, drawing mainly on the conceptions of Milan Kundera: "memory is a form of forgetting"; Paul Auster: memory is the buried source from which writing is born; and Peter Handke: the writer must draw from the deepest level of his experience and detach himself from it in order to create.McGill UniversityRivard, Yvon (advisor)1998Electronic Thesis or Dissertationapplication/pdffralephsysno: 001610112proquestno: MQ43952Theses scanned by UMI/ProQuest.All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated.Master of Arts (Département de langue et littérature françaises.) http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20472 |
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fr |
format |
Others
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topic |
Memory in literature. |
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Memory in literature. Soucy, Linda. Portrait de W., suivi de, L'oeuvre du souvenir |
description |
The first part of this M.A. thesis is composed of four stories whose common thread is memory. Childhood, first love, the betrayals of adult life, the approach of death. Four stages in a life narrated in the first and third person singular, four stories that could belong to the same female narrator. === The second part is an essay on the role of memory in literary creation. Various aspects of this issue are addressed, drawing mainly on the conceptions of Milan Kundera: "memory is a form of forgetting"; Paul Auster: memory is the buried source from which writing is born; and Peter Handke: the writer must draw from the deepest level of his experience and detach himself from it in order to create. |
author2 |
Rivard, Yvon (advisor) |
author_facet |
Rivard, Yvon (advisor) Soucy, Linda. |
author |
Soucy, Linda. |
author_sort |
Soucy, Linda. |
title |
Portrait de W., suivi de, L'oeuvre du souvenir |
title_short |
Portrait de W., suivi de, L'oeuvre du souvenir |
title_full |
Portrait de W., suivi de, L'oeuvre du souvenir |
title_fullStr |
Portrait de W., suivi de, L'oeuvre du souvenir |
title_full_unstemmed |
Portrait de W., suivi de, L'oeuvre du souvenir |
title_sort |
portrait de w., suivi de, l'oeuvre du souvenir |
publisher |
McGill University |
publishDate |
1998 |
url |
http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=20472 |
work_keys_str_mv |
AT soucylinda portraitdewsuivideloeuvredusouvenir AT soucylinda oeuvredusouvenir |
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1716639642431782912 |