Visualizing Amman: womanhood, the goddess, and middle-class modernity in Tamil religious cinema

This thesis examines Tamil Ammaṉ films (ammaṉ paṭaṅkaḷ), a specific genre of South Indian cinema that centres on the figure of the fierce goddess Māriyammaṉ. The study analyzes the films in the context of class and caste in South India, focusing specifically on how India's emergent middle class...

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Bibliographic Details
Main Author: Blake, Lisa
Other Authors: Davesh Soneji (Internal/Supervisor)
Format: Others
Language:en
Published: McGill University 2012
Subjects:
Online Access:http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=106332
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-QMM.1063322014-02-13T03:53:05ZVisualizing Amman: womanhood, the goddess, and middle-class modernity in Tamil religious cinemaBlake, LisaReligion - Religion GeneralThis thesis examines Tamil Ammaṉ films (ammaṉ paṭaṅkaḷ), a specific genre of South Indian cinema that centres on the figure of the fierce goddess Māriyammaṉ. The study analyzes the films in the context of class and caste in South India, focusing specifically on how India's emergent middle class has shaped changing constructions of womanhood and religious practice in South India. Middle-class status is an overarching and recurrent theme in Ammaṉ films, which also consistently deploy and negotiate ideas about "tradition" and "modernity". I argue that the films themselves both represent and reify middle-class notions of religiosities and womanhood, while simultaneously serving a pedagogical purpose for audiences, namely, articulating a way of being middle class.Cette thèse s'intéresse aux films tamouls portant sur Ammaṉ «ammaṉ paṭaṅkaḷ», genre cinématographique propre au sud de l'Inde consacré à la figure terrifiante de la déesse Māriyammaṉ. Ce travail analyse ces films dans le contexte des classes et des castes qui caractérisent le sud de l'Inde. Il s'agit en particulier d'étudier la manière dont la classe moyenne indienne émergente participe aux transformations qui touchent la représentation de la femme et les pratiques religieuses de cette région. Le statut de la classe moyenne est un thème dominant et récurrent dans les films portant sur Ammaṉ, ces derniers exploitant et négociant constamment les idées de «tradition» et «modernité». Je montre que les films exposent aussi bien qu'ils consolident les conceptions de la classe moyenne sur les pratiques de la religion et les femmes, tout en ayant une portée pédagogique pour les spectateurs, autrement dit tout en proposant une manière d'être classe moyenne.McGill UniversityDavesh Soneji (Internal/Supervisor)2012Electronic Thesis or Dissertationapplication/pdfenElectronically-submitted theses.All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated.Master of Arts (Faculty of Religious Studies) http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=106332
collection NDLTD
language en
format Others
sources NDLTD
topic Religion - Religion General
spellingShingle Religion - Religion General
Blake, Lisa
Visualizing Amman: womanhood, the goddess, and middle-class modernity in Tamil religious cinema
description This thesis examines Tamil Ammaṉ films (ammaṉ paṭaṅkaḷ), a specific genre of South Indian cinema that centres on the figure of the fierce goddess Māriyammaṉ. The study analyzes the films in the context of class and caste in South India, focusing specifically on how India's emergent middle class has shaped changing constructions of womanhood and religious practice in South India. Middle-class status is an overarching and recurrent theme in Ammaṉ films, which also consistently deploy and negotiate ideas about "tradition" and "modernity". I argue that the films themselves both represent and reify middle-class notions of religiosities and womanhood, while simultaneously serving a pedagogical purpose for audiences, namely, articulating a way of being middle class. === Cette thèse s'intéresse aux films tamouls portant sur Ammaṉ «ammaṉ paṭaṅkaḷ», genre cinématographique propre au sud de l'Inde consacré à la figure terrifiante de la déesse Māriyammaṉ. Ce travail analyse ces films dans le contexte des classes et des castes qui caractérisent le sud de l'Inde. Il s'agit en particulier d'étudier la manière dont la classe moyenne indienne émergente participe aux transformations qui touchent la représentation de la femme et les pratiques religieuses de cette région. Le statut de la classe moyenne est un thème dominant et récurrent dans les films portant sur Ammaṉ, ces derniers exploitant et négociant constamment les idées de «tradition» et «modernité». Je montre que les films exposent aussi bien qu'ils consolident les conceptions de la classe moyenne sur les pratiques de la religion et les femmes, tout en ayant une portée pédagogique pour les spectateurs, autrement dit tout en proposant une manière d'être classe moyenne.
author2 Davesh Soneji (Internal/Supervisor)
author_facet Davesh Soneji (Internal/Supervisor)
Blake, Lisa
author Blake, Lisa
author_sort Blake, Lisa
title Visualizing Amman: womanhood, the goddess, and middle-class modernity in Tamil religious cinema
title_short Visualizing Amman: womanhood, the goddess, and middle-class modernity in Tamil religious cinema
title_full Visualizing Amman: womanhood, the goddess, and middle-class modernity in Tamil religious cinema
title_fullStr Visualizing Amman: womanhood, the goddess, and middle-class modernity in Tamil religious cinema
title_full_unstemmed Visualizing Amman: womanhood, the goddess, and middle-class modernity in Tamil religious cinema
title_sort visualizing amman: womanhood, the goddess, and middle-class modernity in tamil religious cinema
publisher McGill University
publishDate 2012
url http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=106332
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