Cross-Class Escape and the Erotics of “Proletarian” Masculinity in Thomas Painter’s Sexual Record and Visual Archive
This dissertation examines the sexual journal and visual archive of Thomas N. Painter (1905-1978), an informal collaborator of Alfred C. Kinsey’s Institute for Sex Research, who since the 1930s documented in writing and photography his commercially-based homosexual relations. One of the largest sexu...
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