The brand behind the mask : Batman in the age of convergence

The contemporary Hollywood industry is increasing its modes of production and advertising strategies that aspire to replicate the types of consumer dynamics that sustain prolonged engagements with textual commodities, such as those relationships between fan communities and popular properties. As a...

Full description

Bibliographic Details
Main Author: Ogonoski, Matthew
Published: 2009
Online Access:Ogonoski, Matthew <http://spectrum.library.concordia.ca/view/creators/Ogonoski=3AMatthew=3A=3A.html> (2009) The brand behind the mask : Batman in the age of convergence. Masters thesis, Concordia University.
id ndltd-LACETR-oai-collectionscanada.gc.ca-QMG.976678
record_format oai_dc
spelling ndltd-LACETR-oai-collectionscanada.gc.ca-QMG.9766782013-10-22T03:48:14Z The brand behind the mask : Batman in the age of convergence Ogonoski, Matthew The contemporary Hollywood industry is increasing its modes of production and advertising strategies that aspire to replicate the types of consumer dynamics that sustain prolonged engagements with textual commodities, such as those relationships between fan communities and popular properties. As a popular, presold property, Batman has had an extensive production history with a plethora of intertextual variations that engage consumers in a variety of ways. This study analyzes how this property maintains a quality engagement with fans and allows successful filmic adaptations such as Tim Burton's Batman (1989), and Christopher Nolan's The Dark Knight (2008), to serve as historical markers of Hollywood production. The recognizability of the property is examined to expose those qualities that enable the proliferation of the adapted property throughout its many channels of delivery. The study shows a consistent structural component of adaptation that permits the variety of Batman intertexts to both register with the diversity of consumers while simultaneously remaining identifiable as a coherent brand: tone. The branded qualities of Batman are then analyzed in relation to extra-narrative production concerns, such as advertisement and third-party tie-ins, to determine how non-narrative based renditions of the character can maintain factors of recognizability, regardless of aesthetic variation. Finally, new advertising technologies that enable and increase fan communities will be discussed in relation to the sustainability and reinforcement of brand identification. This thesis demonstrates that tone - as a consistent structural component of adaptation - can maintain these branding interests across media forms 2009 Thesis NonPeerReviewed Ogonoski, Matthew <http://spectrum.library.concordia.ca/view/creators/Ogonoski=3AMatthew=3A=3A.html> (2009) The brand behind the mask : Batman in the age of convergence. Masters thesis, Concordia University. http://spectrum.library.concordia.ca/976678/
collection NDLTD
sources NDLTD
description The contemporary Hollywood industry is increasing its modes of production and advertising strategies that aspire to replicate the types of consumer dynamics that sustain prolonged engagements with textual commodities, such as those relationships between fan communities and popular properties. As a popular, presold property, Batman has had an extensive production history with a plethora of intertextual variations that engage consumers in a variety of ways. This study analyzes how this property maintains a quality engagement with fans and allows successful filmic adaptations such as Tim Burton's Batman (1989), and Christopher Nolan's The Dark Knight (2008), to serve as historical markers of Hollywood production. The recognizability of the property is examined to expose those qualities that enable the proliferation of the adapted property throughout its many channels of delivery. The study shows a consistent structural component of adaptation that permits the variety of Batman intertexts to both register with the diversity of consumers while simultaneously remaining identifiable as a coherent brand: tone. The branded qualities of Batman are then analyzed in relation to extra-narrative production concerns, such as advertisement and third-party tie-ins, to determine how non-narrative based renditions of the character can maintain factors of recognizability, regardless of aesthetic variation. Finally, new advertising technologies that enable and increase fan communities will be discussed in relation to the sustainability and reinforcement of brand identification. This thesis demonstrates that tone - as a consistent structural component of adaptation - can maintain these branding interests across media forms
author Ogonoski, Matthew
spellingShingle Ogonoski, Matthew
The brand behind the mask : Batman in the age of convergence
author_facet Ogonoski, Matthew
author_sort Ogonoski, Matthew
title The brand behind the mask : Batman in the age of convergence
title_short The brand behind the mask : Batman in the age of convergence
title_full The brand behind the mask : Batman in the age of convergence
title_fullStr The brand behind the mask : Batman in the age of convergence
title_full_unstemmed The brand behind the mask : Batman in the age of convergence
title_sort brand behind the mask : batman in the age of convergence
publishDate 2009
url Ogonoski, Matthew <http://spectrum.library.concordia.ca/view/creators/Ogonoski=3AMatthew=3A=3A.html> (2009) The brand behind the mask : Batman in the age of convergence. Masters thesis, Concordia University.
work_keys_str_mv AT ogonoskimatthew thebrandbehindthemaskbatmanintheageofconvergence
AT ogonoskimatthew brandbehindthemaskbatmanintheageofconvergence
_version_ 1716608245785690112