Pushing books : the bookwork as democratic multiple in the late capitalist era
This thesis examines the development of artist's books and other similar mass- produced art works in the codex form. More specifically, the object of investigation in this thesis focuses on the position of such art works as democratic multiples. This development is traced through three case stu...
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Online Access: | http://spectrum.library.concordia.ca/975889/1/MR40964.pdf McCord, Shane <http://spectrum.library.concordia.ca/view/creators/McCord=3AShane=3A=3A.html> (2008) Pushing books : the bookwork as democratic multiple in the late capitalist era. Masters thesis, Concordia University. |
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ndltd-LACETR-oai-collectionscanada.gc.ca-QMG.9758892013-10-22T03:47:51Z Pushing books : the bookwork as democratic multiple in the late capitalist era McCord, Shane This thesis examines the development of artist's books and other similar mass- produced art works in the codex form. More specifically, the object of investigation in this thesis focuses on the position of such art works as democratic multiples. This development is traced through three case studies on the works of Edward Ruscha (b.1937), the artist collective General Idea (1969-1995), and Matthew Barney (b.1967). The thesis argues that though artist's books are often characterized as being polemical towards capitalist production, these bookworks achieve their most democratic results when making use of the techniques of the capitalist market, rather than working against it. 2008 Thesis NonPeerReviewed application/pdf http://spectrum.library.concordia.ca/975889/1/MR40964.pdf McCord, Shane <http://spectrum.library.concordia.ca/view/creators/McCord=3AShane=3A=3A.html> (2008) Pushing books : the bookwork as democratic multiple in the late capitalist era. Masters thesis, Concordia University. http://spectrum.library.concordia.ca/975889/ |
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This thesis examines the development of artist's books and other similar mass- produced art works in the codex form. More specifically, the object of investigation in this thesis focuses on the position of such art works as democratic multiples. This development is traced through three case studies on the works of Edward Ruscha (b.1937), the artist collective General Idea (1969-1995), and Matthew Barney (b.1967). The thesis argues that though artist's books are often characterized as being polemical towards capitalist production, these bookworks achieve their most democratic results when making use of the techniques of the capitalist market, rather than working against it. |
author |
McCord, Shane |
spellingShingle |
McCord, Shane Pushing books : the bookwork as democratic multiple in the late capitalist era |
author_facet |
McCord, Shane |
author_sort |
McCord, Shane |
title |
Pushing books : the bookwork as democratic multiple in the late capitalist era |
title_short |
Pushing books : the bookwork as democratic multiple in the late capitalist era |
title_full |
Pushing books : the bookwork as democratic multiple in the late capitalist era |
title_fullStr |
Pushing books : the bookwork as democratic multiple in the late capitalist era |
title_full_unstemmed |
Pushing books : the bookwork as democratic multiple in the late capitalist era |
title_sort |
pushing books : the bookwork as democratic multiple in the late capitalist era |
publishDate |
2008 |
url |
http://spectrum.library.concordia.ca/975889/1/MR40964.pdf McCord, Shane <http://spectrum.library.concordia.ca/view/creators/McCord=3AShane=3A=3A.html> (2008) Pushing books : the bookwork as democratic multiple in the late capitalist era. Masters thesis, Concordia University. |
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AT mccordshane pushingbooksthebookworkasdemocraticmultipleinthelatecapitalistera |
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