Pushing books : the bookwork as democratic multiple in the late capitalist era

This thesis examines the development of artist's books and other similar mass- produced art works in the codex form. More specifically, the object of investigation in this thesis focuses on the position of such art works as democratic multiples. This development is traced through three case stu...

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Main Author: McCord, Shane
Format: Others
Published: 2008
Online Access:http://spectrum.library.concordia.ca/975889/1/MR40964.pdf
McCord, Shane <http://spectrum.library.concordia.ca/view/creators/McCord=3AShane=3A=3A.html> (2008) Pushing books : the bookwork as democratic multiple in the late capitalist era. Masters thesis, Concordia University.
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-QMG.9758892013-10-22T03:47:51Z Pushing books : the bookwork as democratic multiple in the late capitalist era McCord, Shane This thesis examines the development of artist's books and other similar mass- produced art works in the codex form. More specifically, the object of investigation in this thesis focuses on the position of such art works as democratic multiples. This development is traced through three case studies on the works of Edward Ruscha (b.1937), the artist collective General Idea (1969-1995), and Matthew Barney (b.1967). The thesis argues that though artist's books are often characterized as being polemical towards capitalist production, these bookworks achieve their most democratic results when making use of the techniques of the capitalist market, rather than working against it. 2008 Thesis NonPeerReviewed application/pdf http://spectrum.library.concordia.ca/975889/1/MR40964.pdf McCord, Shane <http://spectrum.library.concordia.ca/view/creators/McCord=3AShane=3A=3A.html> (2008) Pushing books : the bookwork as democratic multiple in the late capitalist era. Masters thesis, Concordia University. http://spectrum.library.concordia.ca/975889/
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format Others
sources NDLTD
description This thesis examines the development of artist's books and other similar mass- produced art works in the codex form. More specifically, the object of investigation in this thesis focuses on the position of such art works as democratic multiples. This development is traced through three case studies on the works of Edward Ruscha (b.1937), the artist collective General Idea (1969-1995), and Matthew Barney (b.1967). The thesis argues that though artist's books are often characterized as being polemical towards capitalist production, these bookworks achieve their most democratic results when making use of the techniques of the capitalist market, rather than working against it.
author McCord, Shane
spellingShingle McCord, Shane
Pushing books : the bookwork as democratic multiple in the late capitalist era
author_facet McCord, Shane
author_sort McCord, Shane
title Pushing books : the bookwork as democratic multiple in the late capitalist era
title_short Pushing books : the bookwork as democratic multiple in the late capitalist era
title_full Pushing books : the bookwork as democratic multiple in the late capitalist era
title_fullStr Pushing books : the bookwork as democratic multiple in the late capitalist era
title_full_unstemmed Pushing books : the bookwork as democratic multiple in the late capitalist era
title_sort pushing books : the bookwork as democratic multiple in the late capitalist era
publishDate 2008
url http://spectrum.library.concordia.ca/975889/1/MR40964.pdf
McCord, Shane <http://spectrum.library.concordia.ca/view/creators/McCord=3AShane=3A=3A.html> (2008) Pushing books : the bookwork as democratic multiple in the late capitalist era. Masters thesis, Concordia University.
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