The affective correspondence of sado-masochism and sound in Lars von Trier's Breaking the Waves and Dancer in the Dark
Much has been written on the work of Danish director Lars von Trier, though the majority of these texts have limited scope, focusing primarily on matters of aesthetic and auteurist interest. What is lacking in these investigations is any detailed discussion of the films' sonic properties, sado-...
| Main Author: | |
|---|---|
| Format: | Others |
| Published: |
2008
|
| Online Access: | http://spectrum.library.concordia.ca/975601/1/MR40975.pdf DeWolfe, Stacey <http://spectrum.library.concordia.ca/view/creators/DeWolfe=3AStacey=3A=3A.html> (2008) The affective correspondence of sado-masochism and sound in Lars von Trier's Breaking the Waves and Dancer in the Dark. Masters thesis, Concordia University. |
Internet
http://spectrum.library.concordia.ca/975601/1/MR40975.pdfDeWolfe, Stacey <http://spectrum.library.concordia.ca/view/creators/DeWolfe=3AStacey=3A=3A.html> (2008) The affective correspondence of sado-masochism and sound in Lars von Trier's Breaking the Waves and Dancer in the Dark. Masters thesis, Concordia University.