Moving Cinema: Experimental Distribution and the Development of Anthology Film Archives

This thesis examines the emergence of Anthology Film Archives (hereinafter Anthology), an independent and experimental film institution in New York City. Within experimental film history, Anthology is predominantly recognized for the creation of Essential Cinema, a canon of film art. The canon has b...

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Main Author: Alfaro, Kristen
Format: Others
Published: 2012
Online Access:http://spectrum.library.concordia.ca/974690/1/MA_Thesis_Kristen_Alfaro.pdf
Alfaro, Kristen <http://spectrum.library.concordia.ca/view/creators/Alfaro=3AKristen=3A=3A.html> (2012) Moving Cinema: Experimental Distribution and the Development of Anthology Film Archives. Masters thesis, Concordia University.
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-QMG.9746902013-10-22T03:47:02Z Moving Cinema: Experimental Distribution and the Development of Anthology Film Archives Alfaro, Kristen This thesis examines the emergence of Anthology Film Archives (hereinafter Anthology), an independent and experimental film institution in New York City. Within experimental film history, Anthology is predominantly recognized for the creation of Essential Cinema, a canon of film art. The canon has become the institution’s most famous endeavor and it has contributed to Anthology’s predominant scholarly identity as alternatively a heroic or authoritarian institution. In this thesis, I explore the institution’s conceptualization in the 1960s, its emergence in 1970, and the first five years of its development, in order to demonstrate how Anthology’s history is more complicated than the dominant narrative implies. I argue that Anthology grew out of a particular set of social and artistic dynamics that shaped experimental film distribution and therefore, its exhibition. In the first half of this thesis, I examine the shared spaces and distribution networks of art and film during the 1960s and 1970s in New York City. I argue that the shifts in experimental film circulation – in part prompted by changes in experimental art distribution - play an important role in the development of Anthology Film Archives. Secondly, I examine the broader corpus of Anthology’s early endeavors, including Anthology’s first theater, Invisible Cinema, the Film Study Center, and its collaborations with other institutions such as the Museum of Modern Art in New York, the American Film Institute, and New York University, among others. This thesis offers a glimpse into aspects of Anthology’s history that extend beyond the lasting legacy of Essential Cinema. 2012-09 Thesis NonPeerReviewed application/pdf http://spectrum.library.concordia.ca/974690/1/MA_Thesis_Kristen_Alfaro.pdf Alfaro, Kristen <http://spectrum.library.concordia.ca/view/creators/Alfaro=3AKristen=3A=3A.html> (2012) Moving Cinema: Experimental Distribution and the Development of Anthology Film Archives. Masters thesis, Concordia University. http://spectrum.library.concordia.ca/974690/
collection NDLTD
format Others
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description This thesis examines the emergence of Anthology Film Archives (hereinafter Anthology), an independent and experimental film institution in New York City. Within experimental film history, Anthology is predominantly recognized for the creation of Essential Cinema, a canon of film art. The canon has become the institution’s most famous endeavor and it has contributed to Anthology’s predominant scholarly identity as alternatively a heroic or authoritarian institution. In this thesis, I explore the institution’s conceptualization in the 1960s, its emergence in 1970, and the first five years of its development, in order to demonstrate how Anthology’s history is more complicated than the dominant narrative implies. I argue that Anthology grew out of a particular set of social and artistic dynamics that shaped experimental film distribution and therefore, its exhibition. In the first half of this thesis, I examine the shared spaces and distribution networks of art and film during the 1960s and 1970s in New York City. I argue that the shifts in experimental film circulation – in part prompted by changes in experimental art distribution - play an important role in the development of Anthology Film Archives. Secondly, I examine the broader corpus of Anthology’s early endeavors, including Anthology’s first theater, Invisible Cinema, the Film Study Center, and its collaborations with other institutions such as the Museum of Modern Art in New York, the American Film Institute, and New York University, among others. This thesis offers a glimpse into aspects of Anthology’s history that extend beyond the lasting legacy of Essential Cinema.
author Alfaro, Kristen
spellingShingle Alfaro, Kristen
Moving Cinema: Experimental Distribution and the Development of Anthology Film Archives
author_facet Alfaro, Kristen
author_sort Alfaro, Kristen
title Moving Cinema: Experimental Distribution and the Development of Anthology Film Archives
title_short Moving Cinema: Experimental Distribution and the Development of Anthology Film Archives
title_full Moving Cinema: Experimental Distribution and the Development of Anthology Film Archives
title_fullStr Moving Cinema: Experimental Distribution and the Development of Anthology Film Archives
title_full_unstemmed Moving Cinema: Experimental Distribution and the Development of Anthology Film Archives
title_sort moving cinema: experimental distribution and the development of anthology film archives
publishDate 2012
url http://spectrum.library.concordia.ca/974690/1/MA_Thesis_Kristen_Alfaro.pdf
Alfaro, Kristen <http://spectrum.library.concordia.ca/view/creators/Alfaro=3AKristen=3A=3A.html> (2012) Moving Cinema: Experimental Distribution and the Development of Anthology Film Archives. Masters thesis, Concordia University.
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