"Skin is anything but skin deep" : contemporary transsexual and transgendered body narratives

An investigation of late twentieth-century transsexual and transgendered narratives, this thesis considers the role of embodiment in the development of trans identities. Because transsexuals and transgendered people do not adhere to the hegemonic sex/gender binary, they allow a critical view of subj...

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Main Author: Tunzi, Veronica A
Format: Others
Published: 2005
Online Access:http://spectrum.library.concordia.ca/8288/1/MR04311.pdf
Tunzi, Veronica A <http://spectrum.library.concordia.ca/view/creators/Tunzi=3AVeronica_A=3A=3A.html> (2005) "Skin is anything but skin deep" : contemporary transsexual and transgendered body narratives. Masters thesis, Concordia University.
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-QMG.82882013-10-22T03:45:49Z "Skin is anything but skin deep" : contemporary transsexual and transgendered body narratives Tunzi, Veronica A An investigation of late twentieth-century transsexual and transgendered narratives, this thesis considers the role of embodiment in the development of trans identities. Because transsexuals and transgendered people do not adhere to the hegemonic sex/gender binary, they allow a critical view of subjectivity as they challenge essentializing accounts of identity, insisting instead that the self can continually change and unfold throughout one's lifespan. A comparison is made between written, autobiographical accounts of transsexual and transgendered subjectivities and photographic ones, in an attempt to understand how different media articulate trans struggles with the body. Through an analysis of Kate Bornstein's Gender Outlaw and Leslie Feinberg's Stone Butch Blues , two autobiographical texts, the first chapter examines the relationship between embodiment, gender identity and sexual desire. In exploring a textual mode of self-representation, the chapter attempts to understand how language impedes an articulation of trans bodies and sexual desires but also offers the potential for these emerging identities to be named. In the second chapter, two photographic works are analyzed--Loren Cameron's Body Alchemy: Transsexual Portraits and Del LaGrace Volcano's Sublime Mutations . These texts are used to consider how photography differs from writing in its presentation of trans embodiment, specifically because photography is credited with revealing the "real" and is capable of showing bodies that cannot be named. The potential for bodies to be transformed via sex-reassignment surgery and other types of body modifications is also discussed in relation to the forging of trans identities. 2005 Thesis NonPeerReviewed application/pdf http://spectrum.library.concordia.ca/8288/1/MR04311.pdf Tunzi, Veronica A <http://spectrum.library.concordia.ca/view/creators/Tunzi=3AVeronica_A=3A=3A.html> (2005) "Skin is anything but skin deep" : contemporary transsexual and transgendered body narratives. Masters thesis, Concordia University. http://spectrum.library.concordia.ca/8288/
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description An investigation of late twentieth-century transsexual and transgendered narratives, this thesis considers the role of embodiment in the development of trans identities. Because transsexuals and transgendered people do not adhere to the hegemonic sex/gender binary, they allow a critical view of subjectivity as they challenge essentializing accounts of identity, insisting instead that the self can continually change and unfold throughout one's lifespan. A comparison is made between written, autobiographical accounts of transsexual and transgendered subjectivities and photographic ones, in an attempt to understand how different media articulate trans struggles with the body. Through an analysis of Kate Bornstein's Gender Outlaw and Leslie Feinberg's Stone Butch Blues , two autobiographical texts, the first chapter examines the relationship between embodiment, gender identity and sexual desire. In exploring a textual mode of self-representation, the chapter attempts to understand how language impedes an articulation of trans bodies and sexual desires but also offers the potential for these emerging identities to be named. In the second chapter, two photographic works are analyzed--Loren Cameron's Body Alchemy: Transsexual Portraits and Del LaGrace Volcano's Sublime Mutations . These texts are used to consider how photography differs from writing in its presentation of trans embodiment, specifically because photography is credited with revealing the "real" and is capable of showing bodies that cannot be named. The potential for bodies to be transformed via sex-reassignment surgery and other types of body modifications is also discussed in relation to the forging of trans identities.
author Tunzi, Veronica A
spellingShingle Tunzi, Veronica A
"Skin is anything but skin deep" : contemporary transsexual and transgendered body narratives
author_facet Tunzi, Veronica A
author_sort Tunzi, Veronica A
title "Skin is anything but skin deep" : contemporary transsexual and transgendered body narratives
title_short "Skin is anything but skin deep" : contemporary transsexual and transgendered body narratives
title_full "Skin is anything but skin deep" : contemporary transsexual and transgendered body narratives
title_fullStr "Skin is anything but skin deep" : contemporary transsexual and transgendered body narratives
title_full_unstemmed "Skin is anything but skin deep" : contemporary transsexual and transgendered body narratives
title_sort "skin is anything but skin deep" : contemporary transsexual and transgendered body narratives
publishDate 2005
url http://spectrum.library.concordia.ca/8288/1/MR04311.pdf
Tunzi, Veronica A <http://spectrum.library.concordia.ca/view/creators/Tunzi=3AVeronica_A=3A=3A.html> (2005) "Skin is anything but skin deep" : contemporary transsexual and transgendered body narratives. Masters thesis, Concordia University.
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