The Rankin Inlet Ceramics Project : a study in development and influence

In 1962, the North Rankin Nickel Mine Ltd. closed its operations in Rankin Inlet, a community on the west coast of Hudson Bay in the Northwest Territories. This community was established by the mining company and attracted a large Inuit population with its promise of wage employment. When this emplo...

Full description

Bibliographic Details
Main Author: Neale, Stacey
Format: Others
Published: 1997
Online Access:http://spectrum.library.concordia.ca/238/1/MQ26025.pdf
Neale, Stacey <http://spectrum.library.concordia.ca/view/creators/Neale=3AStacey=3A=3A.html> (1997) The Rankin Inlet Ceramics Project : a study in development and influence. Masters thesis, Concordia University.
id ndltd-LACETR-oai-collectionscanada.gc.ca-QMG.238
record_format oai_dc
spelling ndltd-LACETR-oai-collectionscanada.gc.ca-QMG.2382013-10-22T03:40:19Z The Rankin Inlet Ceramics Project : a study in development and influence Neale, Stacey In 1962, the North Rankin Nickel Mine Ltd. closed its operations in Rankin Inlet, a community on the west coast of Hudson Bay in the Northwest Territories. This community was established by the mining company and attracted a large Inuit population with its promise of wage employment. When this employment ceased, the Canadian government initiated an arts and crafts program to assist the Inuit. Included in this program was an experiment in pottery-making, which became known as the Rankin Inlet Ceramics Project. Begun in 1963, the project was guided by four arts and crafts officers, Claude Grenier (1963-1970), Bob Billyard (1970-1973), Michael Kusugak (1973-1975) and Ashok Shah, until its collapse in 1977. Funding for the project was initially provided by the Canadian government and later by the Government of the Northwest Territories. The federal government was very supportive of this initiative and was continually making recommendations to improve the project. The territorial government, however, was often indifferent to the project and eventually cut its funding. It is the aim of this thesis to document the project and to examine the role these patrons played in its development. Also, an attempt will be made to demonstrate how their recommendations affected the appearance of the work. The thesis concludes with a discussion of the current revival of ceramic art in Rankin Inlet. This new project will be considered in light of the original one and in the context of recent trends in Inuit art. 1997 Thesis NonPeerReviewed application/pdf http://spectrum.library.concordia.ca/238/1/MQ26025.pdf Neale, Stacey <http://spectrum.library.concordia.ca/view/creators/Neale=3AStacey=3A=3A.html> (1997) The Rankin Inlet Ceramics Project : a study in development and influence. Masters thesis, Concordia University. http://spectrum.library.concordia.ca/238/
collection NDLTD
format Others
sources NDLTD
description In 1962, the North Rankin Nickel Mine Ltd. closed its operations in Rankin Inlet, a community on the west coast of Hudson Bay in the Northwest Territories. This community was established by the mining company and attracted a large Inuit population with its promise of wage employment. When this employment ceased, the Canadian government initiated an arts and crafts program to assist the Inuit. Included in this program was an experiment in pottery-making, which became known as the Rankin Inlet Ceramics Project. Begun in 1963, the project was guided by four arts and crafts officers, Claude Grenier (1963-1970), Bob Billyard (1970-1973), Michael Kusugak (1973-1975) and Ashok Shah, until its collapse in 1977. Funding for the project was initially provided by the Canadian government and later by the Government of the Northwest Territories. The federal government was very supportive of this initiative and was continually making recommendations to improve the project. The territorial government, however, was often indifferent to the project and eventually cut its funding. It is the aim of this thesis to document the project and to examine the role these patrons played in its development. Also, an attempt will be made to demonstrate how their recommendations affected the appearance of the work. The thesis concludes with a discussion of the current revival of ceramic art in Rankin Inlet. This new project will be considered in light of the original one and in the context of recent trends in Inuit art.
author Neale, Stacey
spellingShingle Neale, Stacey
The Rankin Inlet Ceramics Project : a study in development and influence
author_facet Neale, Stacey
author_sort Neale, Stacey
title The Rankin Inlet Ceramics Project : a study in development and influence
title_short The Rankin Inlet Ceramics Project : a study in development and influence
title_full The Rankin Inlet Ceramics Project : a study in development and influence
title_fullStr The Rankin Inlet Ceramics Project : a study in development and influence
title_full_unstemmed The Rankin Inlet Ceramics Project : a study in development and influence
title_sort rankin inlet ceramics project : a study in development and influence
publishDate 1997
url http://spectrum.library.concordia.ca/238/1/MQ26025.pdf
Neale, Stacey <http://spectrum.library.concordia.ca/view/creators/Neale=3AStacey=3A=3A.html> (1997) The Rankin Inlet Ceramics Project : a study in development and influence. Masters thesis, Concordia University.
work_keys_str_mv AT nealestacey therankininletceramicsprojectastudyindevelopmentandinfluence
AT nealestacey rankininletceramicsprojectastudyindevelopmentandinfluence
_version_ 1716605290015621120