The archaeology of memory : inquiry into studio production

This study into my creative process as an artist is based on a qualitative analysis of my artmaking process. It focuses on the production of a body of artwork and the subsequent exhibition, "The Archaeology of Memory," which opened in Montreal on August 22, 2002 at Galerie Gora. Using the...

Full description

Bibliographic Details
Main Author: Johnston, Gillian Wallis
Format: Others
Published: 2003
Online Access:http://spectrum.library.concordia.ca/1943/1/MQ78009.pdf
Johnston, Gillian Wallis <http://spectrum.library.concordia.ca/view/creators/Johnston=3AGillian_Wallis=3A=3A.html> (2003) The archaeology of memory : inquiry into studio production. Masters thesis, Concordia University.
id ndltd-LACETR-oai-collectionscanada.gc.ca-QMG.1943
record_format oai_dc
spelling ndltd-LACETR-oai-collectionscanada.gc.ca-QMG.19432013-10-22T03:41:55Z The archaeology of memory : inquiry into studio production Johnston, Gillian Wallis This study into my creative process as an artist is based on a qualitative analysis of my artmaking process. It focuses on the production of a body of artwork and the subsequent exhibition, "The Archaeology of Memory," which opened in Montreal on August 22, 2002 at Galerie Gora. Using the theme of memory and narrative, culled from artefacts such as family photograph albums, heirlooms, and journal accounts, I investigate the layers of meaning that form personal identity. My insights grow broader as I examine the construction of a national identity through the notion of "collective memory." The purpose of this exploration is also to demonstrate how the 'praxis' of art making and exhibiting, may inform and revitalize the teaching practice of art educators. 2003 Thesis NonPeerReviewed application/pdf http://spectrum.library.concordia.ca/1943/1/MQ78009.pdf Johnston, Gillian Wallis <http://spectrum.library.concordia.ca/view/creators/Johnston=3AGillian_Wallis=3A=3A.html> (2003) The archaeology of memory : inquiry into studio production. Masters thesis, Concordia University. http://spectrum.library.concordia.ca/1943/
collection NDLTD
format Others
sources NDLTD
description This study into my creative process as an artist is based on a qualitative analysis of my artmaking process. It focuses on the production of a body of artwork and the subsequent exhibition, "The Archaeology of Memory," which opened in Montreal on August 22, 2002 at Galerie Gora. Using the theme of memory and narrative, culled from artefacts such as family photograph albums, heirlooms, and journal accounts, I investigate the layers of meaning that form personal identity. My insights grow broader as I examine the construction of a national identity through the notion of "collective memory." The purpose of this exploration is also to demonstrate how the 'praxis' of art making and exhibiting, may inform and revitalize the teaching practice of art educators.
author Johnston, Gillian Wallis
spellingShingle Johnston, Gillian Wallis
The archaeology of memory : inquiry into studio production
author_facet Johnston, Gillian Wallis
author_sort Johnston, Gillian Wallis
title The archaeology of memory : inquiry into studio production
title_short The archaeology of memory : inquiry into studio production
title_full The archaeology of memory : inquiry into studio production
title_fullStr The archaeology of memory : inquiry into studio production
title_full_unstemmed The archaeology of memory : inquiry into studio production
title_sort archaeology of memory : inquiry into studio production
publishDate 2003
url http://spectrum.library.concordia.ca/1943/1/MQ78009.pdf
Johnston, Gillian Wallis <http://spectrum.library.concordia.ca/view/creators/Johnston=3AGillian_Wallis=3A=3A.html> (2003) The archaeology of memory : inquiry into studio production. Masters thesis, Concordia University.
work_keys_str_mv AT johnstongillianwallis thearchaeologyofmemoryinquiryintostudioproduction
AT johnstongillianwallis archaeologyofmemoryinquiryintostudioproduction
_version_ 1716605708553682944