36 Stratagems Towards a People's Modernity

The design thesis is sited along the Shanghai Bund in China. It pursues an alternative modernity that is quintessentially Chinese by developing a design approach specific to the local imperatives and the contextual condition. The argument is set upon the premise of an accommodative nature of Chinese...

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Main Author: Chau, Tammy Sau-Lyn
Language:en
Published: 2009
Subjects:
Online Access:http://hdl.handle.net/10012/4705
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-OWTU.10012-47052013-10-04T04:09:08ZChau, Tammy Sau-Lyn2009-09-17T14:56:40Z2009-09-17T14:56:40Z2009-09-17T14:56:40Z2009-09-10http://hdl.handle.net/10012/4705The design thesis is sited along the Shanghai Bund in China. It pursues an alternative modernity that is quintessentially Chinese by developing a design approach specific to the local imperatives and the contextual condition. The argument is set upon the premise of an accommodative nature of Chinese modernity towards foreign influences since the 1850’s. The Bund, being the original site of Chinese modernity, is characterized by hybrid structures that combine the local and the foreign. Imported building materials, techniques, and proportional ideals have predominately influenced the architecture. Against this backdrop, the thesis problematizes Shanghai’s building practice that pertains to the adoption of foreign forms. Is it possible to create an alternative modernity that is quintessentially Chinese? The thesis first examines the development of the city’s modernity, traditional construction principles, and narratives inherent to the site. Program components are then reorganized for tactical design applications. It concludes with a time-based and event-driven collective space that seeds participation towards a local modernity.enModernityShanghai36 Stratagems Towards a People's ModernityThesis or DissertationSchool of ArchitectureMaster of ArchitectureArchitecture
collection NDLTD
language en
sources NDLTD
topic Modernity
Shanghai
Architecture
spellingShingle Modernity
Shanghai
Architecture
Chau, Tammy Sau-Lyn
36 Stratagems Towards a People's Modernity
description The design thesis is sited along the Shanghai Bund in China. It pursues an alternative modernity that is quintessentially Chinese by developing a design approach specific to the local imperatives and the contextual condition. The argument is set upon the premise of an accommodative nature of Chinese modernity towards foreign influences since the 1850’s. The Bund, being the original site of Chinese modernity, is characterized by hybrid structures that combine the local and the foreign. Imported building materials, techniques, and proportional ideals have predominately influenced the architecture. Against this backdrop, the thesis problematizes Shanghai’s building practice that pertains to the adoption of foreign forms. Is it possible to create an alternative modernity that is quintessentially Chinese? The thesis first examines the development of the city’s modernity, traditional construction principles, and narratives inherent to the site. Program components are then reorganized for tactical design applications. It concludes with a time-based and event-driven collective space that seeds participation towards a local modernity.
author Chau, Tammy Sau-Lyn
author_facet Chau, Tammy Sau-Lyn
author_sort Chau, Tammy Sau-Lyn
title 36 Stratagems Towards a People's Modernity
title_short 36 Stratagems Towards a People's Modernity
title_full 36 Stratagems Towards a People's Modernity
title_fullStr 36 Stratagems Towards a People's Modernity
title_full_unstemmed 36 Stratagems Towards a People's Modernity
title_sort 36 stratagems towards a people's modernity
publishDate 2009
url http://hdl.handle.net/10012/4705
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