Approaching the Examiner's Chair: Chronicling the Experiences of Piano Examiner Apprentices for the Royal Conservatory of Music

Examinations administered by the Royal Conservatory of Music (RCM) play a major role in the musical education of many individuals across Canada. The evaluative process needs to be a constructive one in order to ensure its positive impact on students’ musical education. Examiners who are confident an...

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Bibliographic Details
Main Author: Dumlavwalla, Diana Teresa
Other Authors: Koga, Midori
Language:en_ca
Published: 2011
Subjects:
Online Access:http://hdl.handle.net/1807/30055
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-OTU.1807-300552013-04-17T04:19:17ZApproaching the Examiner's Chair: Chronicling the Experiences of Piano Examiner Apprentices for the Royal Conservatory of MusicDumlavwalla, Diana Teresamusic examinerspianopiano pedagogyRoyal Conservatory of Musicmusic examinationsRCM examsassessmentsevaluationsmusic assessorsmusic evaluatorsconservatoriesexamining boardsexaminer trainingmusic studentsconfidence levelcomfort levelnarrative inquiry04130522Examinations administered by the Royal Conservatory of Music (RCM) play a major role in the musical education of many individuals across Canada. The evaluative process needs to be a constructive one in order to ensure its positive impact on students’ musical education. Examiners who are confident and comfortable in their roles as assessors are more likely to provide this ideal environment for the students. Individuals at the dawn of their examining careers are prone to lower confidence and comfort levels due to their inexperience. Yet all music students deserve an optimal examination situation, even from new examiners. Ensuring that an examiner receives proper training will help to increase their confidence and comfort levels while assessing students. This study examined the elements of an examiner’s education, experience and preparation which contributed to higher confidence and comfort levels as they participated in the RCM evaluative process. Ten individuals participated in surveys and interviews. Seven were recent apprentices of the examiner training program and three were senior examiners. Their experiences and insights given in a narrative form shed light on which elements of their background and training benefited them as examiners. According to the participants, varied and extensive pedagogical training, taking exams as students and intensive performance education gave them the most advantages during their early careers as examiners. Regarding the examiner apprenticeship program, participants felt that they would have benefited from more practical experience during the early classroom seminar, additional opportunities to observe students at varying performing levels and more time for discussion with their mentors. These recommendations for background preparation and enhanced training are intended to give examiners greater confidence in their evaluative roles early in their careers, enabling them to provide constructive and effective assessments for students and their teachers.Koga, Midori2011-062011-11-21T14:28:19ZNO_RESTRICTION2011-11-21T14:28:19Z2011-11-21Thesishttp://hdl.handle.net/1807/30055en_ca
collection NDLTD
language en_ca
sources NDLTD
topic music examiners
piano
piano pedagogy
Royal Conservatory of Music
music examinations
RCM exams
assessments
evaluations
music assessors
music evaluators
conservatories
examining boards
examiner training
music students
confidence level
comfort level
narrative inquiry
0413
0522
spellingShingle music examiners
piano
piano pedagogy
Royal Conservatory of Music
music examinations
RCM exams
assessments
evaluations
music assessors
music evaluators
conservatories
examining boards
examiner training
music students
confidence level
comfort level
narrative inquiry
0413
0522
Dumlavwalla, Diana Teresa
Approaching the Examiner's Chair: Chronicling the Experiences of Piano Examiner Apprentices for the Royal Conservatory of Music
description Examinations administered by the Royal Conservatory of Music (RCM) play a major role in the musical education of many individuals across Canada. The evaluative process needs to be a constructive one in order to ensure its positive impact on students’ musical education. Examiners who are confident and comfortable in their roles as assessors are more likely to provide this ideal environment for the students. Individuals at the dawn of their examining careers are prone to lower confidence and comfort levels due to their inexperience. Yet all music students deserve an optimal examination situation, even from new examiners. Ensuring that an examiner receives proper training will help to increase their confidence and comfort levels while assessing students. This study examined the elements of an examiner’s education, experience and preparation which contributed to higher confidence and comfort levels as they participated in the RCM evaluative process. Ten individuals participated in surveys and interviews. Seven were recent apprentices of the examiner training program and three were senior examiners. Their experiences and insights given in a narrative form shed light on which elements of their background and training benefited them as examiners. According to the participants, varied and extensive pedagogical training, taking exams as students and intensive performance education gave them the most advantages during their early careers as examiners. Regarding the examiner apprenticeship program, participants felt that they would have benefited from more practical experience during the early classroom seminar, additional opportunities to observe students at varying performing levels and more time for discussion with their mentors. These recommendations for background preparation and enhanced training are intended to give examiners greater confidence in their evaluative roles early in their careers, enabling them to provide constructive and effective assessments for students and their teachers.
author2 Koga, Midori
author_facet Koga, Midori
Dumlavwalla, Diana Teresa
author Dumlavwalla, Diana Teresa
author_sort Dumlavwalla, Diana Teresa
title Approaching the Examiner's Chair: Chronicling the Experiences of Piano Examiner Apprentices for the Royal Conservatory of Music
title_short Approaching the Examiner's Chair: Chronicling the Experiences of Piano Examiner Apprentices for the Royal Conservatory of Music
title_full Approaching the Examiner's Chair: Chronicling the Experiences of Piano Examiner Apprentices for the Royal Conservatory of Music
title_fullStr Approaching the Examiner's Chair: Chronicling the Experiences of Piano Examiner Apprentices for the Royal Conservatory of Music
title_full_unstemmed Approaching the Examiner's Chair: Chronicling the Experiences of Piano Examiner Apprentices for the Royal Conservatory of Music
title_sort approaching the examiner's chair: chronicling the experiences of piano examiner apprentices for the royal conservatory of music
publishDate 2011
url http://hdl.handle.net/1807/30055
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