L'Acadie Postnationale: Producing Franco-Canadian Identity in the Globalized Economy

Language is at the center of much debate in l’Acadie, a Francophone community in what has always been a peripheral region of, first, European Empires, and next, the North American market. Now, mobilizing neoliberal ideologies, Acadian community leaders and the Canadian federal government are strivin...

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Bibliographic Details
Main Author: McLaughlin, Mireille
Other Authors: Heller, Monica
Language:en_ca
Published: 2010
Subjects:
Online Access:http://hdl.handle.net/1807/24827
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-OTU.1807-248272013-04-17T04:18:17ZL'Acadie Postnationale: Producing Franco-Canadian Identity in the Globalized EconomyL'Acadie Postnationale: Produire l'identité franco-canadienne dans l'économie mondialiséeMcLaughlin, Mireillelinguistic minoritiesstateglobalization0326Language is at the center of much debate in l’Acadie, a Francophone community in what has always been a peripheral region of, first, European Empires, and next, the North American market. Now, mobilizing neoliberal ideologies, Acadian community leaders and the Canadian federal government are striving to develop the global commodification of Acadian culture, through arts and tourism, as a way to ensure the reproduction of Acadian identity in a global economy. The Acadian art scene, first institutionalized as a space for the protection of Acadian culture and the French language by community organizations and the State, has long been a privileged space for the production and reproduction of nationalist understandings of Acadian culture. The commodification of culture is a site of ideological tensions on questions of nationalism as, simultaneously, increased urbanization and the democratization of the media is challenging the nationalist understanding of Acadian identity, as artists and community organizations claim a space of multilingualism in their work. In this presentation, I will draw on data I collected in a multisited ethnography, to show how the push for commodification is a source of tension for the Acadian community. I track ideologies of language from the government decision-making to the production and circulation of Acadian art, to analyze the tensions Acadian artists and community organizers experience as they try to enter or maintain themselves in the global economy, through the use of web-based media, alterglobalizing networks or government and private sponsorships. I will show how the institutionalization of languages as homogeneous is constraining the field of Acadian art, as actors are deploying diverse strategies to participate within or critique the existing networks.Heller, Monica2010-062010-08-31T15:55:16ZNO_RESTRICTION2010-08-31T15:55:16Z2010-08-31T15:55:16ZThesishttp://hdl.handle.net/1807/24827en_ca
collection NDLTD
language en_ca
sources NDLTD
topic linguistic minorities
state
globalization
0326
spellingShingle linguistic minorities
state
globalization
0326
McLaughlin, Mireille
L'Acadie Postnationale: Producing Franco-Canadian Identity in the Globalized Economy
description Language is at the center of much debate in l’Acadie, a Francophone community in what has always been a peripheral region of, first, European Empires, and next, the North American market. Now, mobilizing neoliberal ideologies, Acadian community leaders and the Canadian federal government are striving to develop the global commodification of Acadian culture, through arts and tourism, as a way to ensure the reproduction of Acadian identity in a global economy. The Acadian art scene, first institutionalized as a space for the protection of Acadian culture and the French language by community organizations and the State, has long been a privileged space for the production and reproduction of nationalist understandings of Acadian culture. The commodification of culture is a site of ideological tensions on questions of nationalism as, simultaneously, increased urbanization and the democratization of the media is challenging the nationalist understanding of Acadian identity, as artists and community organizations claim a space of multilingualism in their work. In this presentation, I will draw on data I collected in a multisited ethnography, to show how the push for commodification is a source of tension for the Acadian community. I track ideologies of language from the government decision-making to the production and circulation of Acadian art, to analyze the tensions Acadian artists and community organizers experience as they try to enter or maintain themselves in the global economy, through the use of web-based media, alterglobalizing networks or government and private sponsorships. I will show how the institutionalization of languages as homogeneous is constraining the field of Acadian art, as actors are deploying diverse strategies to participate within or critique the existing networks.
author2 Heller, Monica
author_facet Heller, Monica
McLaughlin, Mireille
author McLaughlin, Mireille
author_sort McLaughlin, Mireille
title L'Acadie Postnationale: Producing Franco-Canadian Identity in the Globalized Economy
title_short L'Acadie Postnationale: Producing Franco-Canadian Identity in the Globalized Economy
title_full L'Acadie Postnationale: Producing Franco-Canadian Identity in the Globalized Economy
title_fullStr L'Acadie Postnationale: Producing Franco-Canadian Identity in the Globalized Economy
title_full_unstemmed L'Acadie Postnationale: Producing Franco-Canadian Identity in the Globalized Economy
title_sort l'acadie postnationale: producing franco-canadian identity in the globalized economy
publishDate 2010
url http://hdl.handle.net/1807/24827
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