Deconstructing the Transhistorical in Contemporary Productions of The Merchant of Venice
This dissertation critiques four stagings of The Merchant of Venice observed in three theatrical cultures of the Anglophone world and argues that engaging productions of this script take into account its self-deconstructive character as one of its most decisive ordering principles. The dissertation...
| Main Author: | |
|---|---|
| Other Authors: | |
| Language: | en_ca |
| Published: |
2010
|
| Subjects: | |
| Online Access: | http://hdl.handle.net/1807/24368 |