L'impact du cinéma dans le roman francophone d'Afrique noire
In this thesis, I am interested in studying how African writers incorporate cinema in their works while focusing on the impact of Western and Asian films on the African public. My corpus includes writers such as Abdoulaye Sadji (Maïmouna), Ousmane Sembène (Les Bouts de bois de Dieu), Sylvain Bemba (...
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| Language: | en fr |
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2010
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| Online Access: | http://hdl.handle.net/1974/5939 |
| Summary: | In this thesis, I am interested in studying how African writers incorporate cinema in their works while focusing on the impact of Western and Asian films on the African public. My corpus includes writers such as Abdoulaye Sadji (Maïmouna), Ousmane Sembène (Les Bouts de bois de Dieu), Sylvain Bemba (Rêves portatifs), Tierno Monénembo (Cinéma), Henri Lopes (Le Pleurer-Rire) and Alain Mabanckou (African psycho and Verre Cassé). I use criticism by Freud, Barthes, Michel Foucault, Jean Bellemin-Noël, Christian Metz, Frantz Fanon, Achille Mbembe, Paulin Soumanou Vieyra and others to analyze, through the mechanisms of alienation, of depersonalization and corruption of the imaginary, the transmutation that cinema lovers in the African novel undergo. By « transmutation », I mean the process which leads to the expulsion of the individuality of some characters. This transformation will be manifested by an overactive imagination, by the exaltation of the most extravagant fantasies and by the violence inherent to the characters that now, in a perverse way, strive to reproduce in their social world the fictional world of movies that they have watched and which are fully disconnected from their environment. As these characters do not manage to draw the line that separates cinematic facts from their illusions, the narrative will suggest the confusion between cinema and "reality". Therefore, the loss of direction and other dealings will lead to personality disorders and criminal behaviors. === Thesis (Ph.D, French) -- Queen's University, 2010-07-23 13:33:45.297 |
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