Theatre As Curriculum to Practice Vulnerability

This dissertation documents a doctoral endeavor to explore both the potential of theatre as a means to enable students to practice vulnerability and the potential curricular impact of such a practice, using an in-depth narrative study of six theatre and drama for the young specialists. The researche...

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Bibliographic Details
Main Author: Clement, Colleen
Other Authors: Hurren, Wanda
Language:English
en
Published: 2014
Subjects:
Online Access:http://hdl.handle.net/1828/5413
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-BVIV.1828-54132014-06-20T03:49:50Z Theatre As Curriculum to Practice Vulnerability Clement, Colleen Hurren, Wanda Theatre Curriculum Metissage Circle Theatre Script Practice navigating vulnerability Narrative inquiry Theater This dissertation documents a doctoral endeavor to explore both the potential of theatre as a means to enable students to practice vulnerability and the potential curricular impact of such a practice, using an in-depth narrative study of six theatre and drama for the young specialists. The researcher attempts to gain understanding and create a discourse on the vulnerability of the every-student as a curricular concern as well as make a connection to the potential of theatre as a means to practice navigating vulnerability. This not only involves a reconsideration of the term vulnerability to be seen as a path to strength, but also a reconsideration of educator responsibilities. The researcher sought stories of the everyday vulnerabilities that a student might encounter during school and specifically did not seek stories of vulnerabilities from extreme or exceptional traumatic events. While this study does not produce specific curriculum planning, it yields a better understanding of the concept of vulnerability, including the acknowledgment that practicing navigating vulnerability and practicing vulnerability can be accepted as useful terminology in educational pursuits. A key component of the research is the development of a Métissage Circle Theatre Script entitled “To Practice Vulnerability?” as a method of data analysis and research dissemination. It is the researcher’s intent that this script be available for readings by non-actors at school board meetings, parent-teacher meetings, teacher organizations, departments of education, theatre and drama organizations, theatre artist groups, and educational policy decision-makers. The script gently invites readers to begin to explore, ask questions, and discuss the educational possibilities, and provides a low-risk opportunity to navigate the vulnerability experienced when simply encountering the very subject of our own vulnerability. Graduate 0727 0465 cclement@uvic.ca 2014-05-20T23:17:32Z 2014-05-20T23:17:32Z 2014 2014-05-20 Thesis http://hdl.handle.net/1828/5413 Clement, C. & Prendergast, M. (2012). Poetic inquiry: An annotated bibliography: Update 2007-2012. Victoria, BC: Department of Curriculum & Instruction, Faculty of Education, University of Victoria. [589 page annotated bibliography]. English en Available to the World Wide Web http://creativecommons.org/licenses/by-nc-nd/2.5/ca/
collection NDLTD
language English
en
sources NDLTD
topic Theatre
Curriculum
Metissage Circle Theatre Script
Practice navigating vulnerability
Narrative inquiry
Theater
spellingShingle Theatre
Curriculum
Metissage Circle Theatre Script
Practice navigating vulnerability
Narrative inquiry
Theater
Clement, Colleen
Theatre As Curriculum to Practice Vulnerability
description This dissertation documents a doctoral endeavor to explore both the potential of theatre as a means to enable students to practice vulnerability and the potential curricular impact of such a practice, using an in-depth narrative study of six theatre and drama for the young specialists. The researcher attempts to gain understanding and create a discourse on the vulnerability of the every-student as a curricular concern as well as make a connection to the potential of theatre as a means to practice navigating vulnerability. This not only involves a reconsideration of the term vulnerability to be seen as a path to strength, but also a reconsideration of educator responsibilities. The researcher sought stories of the everyday vulnerabilities that a student might encounter during school and specifically did not seek stories of vulnerabilities from extreme or exceptional traumatic events. While this study does not produce specific curriculum planning, it yields a better understanding of the concept of vulnerability, including the acknowledgment that practicing navigating vulnerability and practicing vulnerability can be accepted as useful terminology in educational pursuits. A key component of the research is the development of a Métissage Circle Theatre Script entitled “To Practice Vulnerability?” as a method of data analysis and research dissemination. It is the researcher’s intent that this script be available for readings by non-actors at school board meetings, parent-teacher meetings, teacher organizations, departments of education, theatre and drama organizations, theatre artist groups, and educational policy decision-makers. The script gently invites readers to begin to explore, ask questions, and discuss the educational possibilities, and provides a low-risk opportunity to navigate the vulnerability experienced when simply encountering the very subject of our own vulnerability. === Graduate === 0727 === 0465 === cclement@uvic.ca
author2 Hurren, Wanda
author_facet Hurren, Wanda
Clement, Colleen
author Clement, Colleen
author_sort Clement, Colleen
title Theatre As Curriculum to Practice Vulnerability
title_short Theatre As Curriculum to Practice Vulnerability
title_full Theatre As Curriculum to Practice Vulnerability
title_fullStr Theatre As Curriculum to Practice Vulnerability
title_full_unstemmed Theatre As Curriculum to Practice Vulnerability
title_sort theatre as curriculum to practice vulnerability
publishDate 2014
url http://hdl.handle.net/1828/5413
work_keys_str_mv AT clementcolleen theatreascurriculumtopracticevulnerability
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