Compositions
This thesis consists of five musical compositions of diverse styles. Movement, the first composition is written for two pianos and percussions. It is a piece that is chromatic and yet very tonal; at times, some minimalistic tendencies are evident. The second piece, Three English Poems, is a song...
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ndltd-LACETR-oai-collectionscanada.gc.ca-BVAU.2429-62622014-03-14T15:41:00Z Compositions Federizon, Ruben Reyes This thesis consists of five musical compositions of diverse styles. Movement, the first composition is written for two pianos and percussions. It is a piece that is chromatic and yet very tonal; at times, some minimalistic tendencies are evident. The second piece, Three English Poems, is a song cycle for a soprano, flute, harp, and cello. The texts are taken from poems of Milton, Crowne, and Falconer. These poems are tied together by the pastoral atmosphere of the music. The third piece, Oremus, is a setting of common prayers of the Roman Catholic Church. In Nomine Paths frames Pater Noster, Ave Maria, and Gloria Path into one whole extended a cappella piece for a double choir. The fourth piece, Variations on Rachmaninoff's 18th Variation on a Theme by Paganini, is written for piano and a tape recorder. The title itself tells much what this piece is all about. The part on the tape recorder is a mixing of MIDI and WAV files produced by Cubase and Roland Audio Tools software. The last piece, Mga Salmo, is a setting of selected passages from the Psalms translated into Pilipino. It is written for sixteen singers who also play some Philippine ethnic instruments. This composition is a fine example of an integration of Western and non-Western elements of music. 2009-03-20T15:41:08Z 2009-03-20T15:41:08Z 1997 2009-03-20T15:41:08Z 1997-05 Electronic Thesis or Dissertation http://hdl.handle.net/2429/6262 eng UBC Retrospective Theses Digitization Project [http://www.library.ubc.ca/archives/retro_theses/] |
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NDLTD |
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English |
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NDLTD |
description |
This thesis consists of five musical compositions of diverse styles. Movement,
the first composition is written for two pianos and percussions. It is a piece that is
chromatic and yet very tonal; at times, some minimalistic tendencies are evident.
The second piece, Three English Poems, is a song cycle for a soprano, flute, harp, and cello. The texts are taken from poems of Milton, Crowne, and Falconer. These poems are tied together by the pastoral atmosphere of the music. The third piece, Oremus, is a setting of common prayers of the Roman Catholic Church. In Nomine Paths frames Pater Noster, Ave Maria, and Gloria Path into one whole extended a cappella piece for a double choir. The fourth piece, Variations on Rachmaninoff's 18th Variation on a Theme by Paganini, is written for piano and a tape recorder. The title itself tells much what
this piece is all about. The part on the tape recorder is a mixing of MIDI and
WAV files produced by Cubase and Roland Audio Tools software. The last piece, Mga Salmo, is a setting of selected passages from the Psalms translated into Pilipino. It is written for sixteen singers who also play some Philippine ethnic instruments. This composition is a fine example of an
integration of Western and non-Western elements of music. |
author |
Federizon, Ruben Reyes |
spellingShingle |
Federizon, Ruben Reyes Compositions |
author_facet |
Federizon, Ruben Reyes |
author_sort |
Federizon, Ruben Reyes |
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Compositions |
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Compositions |
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Compositions |
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Compositions |
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Compositions |
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compositions |
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2009 |
url |
http://hdl.handle.net/2429/6262 |
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AT federizonrubenreyes compositions |
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