The woman's film, the new women's cinema, and the women's buddy film
This thesis examines the way in which the representation of women’s friendship in Hollywood cinema is ideologically constructed: first in the classical era of the woman’s film; second, in the 1970s renaissance of the woman’s film as a genre, known as the “new women’s cinema”; and third, in a ver...
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| Language: | English |
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2009
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| Online Access: | http://hdl.handle.net/2429/5684 |
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