| Summary: | I aim to examine some of the complex personal, political and popular geographies generative of,
encoded in and legitimated by the ‘epidemic of signification’: the construction of AIDS through
discourse and language. Peter Gould’s popularly-oriented book The Slow Plague is, arguably,
Geography’s most significant entry to date into this discourse and Slim: A Reporter’s Own Story
ofAIDS in East Africa forms a key part of the same ‘epidemic’. It was written by Ed Hooper, a
journalist and photographer for the BBC and Guardian, who produced several of the early ‘AIDS
in Africa’ Western media representations.
Both men write ‘authoritatively’ about AIDS, aim to serve the ‘public’, and rely upon the rhetorics
of science, objective journalism and empire for the powerful conveyance of their stories and
respective geographical knowledges. The signifying practices and rhetoric they use encode and
legitimate a wide variety of aspirations, meanings, beliefs, attitudes, ideas and actions. I am
attempting to unravel their complex narratives: focussing initially on a critique of Gould’s concept
of science; then interrogating the explicitly visual and scientific geography Gould aims to situate
within the AIDS research paradigm. I use Slim to examine the mechanics of construction of the
‘AIDS in Africa’ Western media discourse, focussing both on the formative and intense discursive
moment of the late 1980s and on more recent media representations of ‘AIDS in Africa’. This
allows these representations to be situated within a specific and revealing personal and political
diseconomy of capital, access, perception and production. By unravelling these respective
narratives I aim to map part of the complex political and critical terrain that a Human and humane
Geography must negotiate if it is to respond to the complex AIDS geographies revealed.
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