Performance practice considerations in Schönberg's Fünf Klavierstücke, Op. 23
The Fünf Klavierstücke, Op. 23 (1923) of Arnold Schoenberg (1874-1951) exemplify an important development in his compositional style, as the free atonality of the 1910s gives way to transformations of ordered pitch-class sets and the development of the 12-tone method. The academic discourse on Schoe...
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| Language: | English |
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University of British Columbia
2013
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| Online Access: | http://hdl.handle.net/2429/43771 |