Othering France : depictions of French politics in Punch, 1848-1851

This thesis examines caricatures of French politics in the British cartoon periodical Punch between the years 1848 and 1851. I argue that although the French “Other” was seen by Britons in the eighteenth century as a military danger, by the 1848 revolution it had been transformed into a dystopian an...

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Main Author: Zhou, Carson Yichen
Language:English
Published: University of British Columbia 2012
Online Access:http://hdl.handle.net/2429/42959
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-BVAU.2429-429592014-03-26T03:38:52Z Othering France : depictions of French politics in Punch, 1848-1851 Zhou, Carson Yichen This thesis examines caricatures of French politics in the British cartoon periodical Punch between the years 1848 and 1851. I argue that although the French “Other” was seen by Britons in the eighteenth century as a military danger, by the 1848 revolution it had been transformed into a dystopian analogue of Great Britain’s own constitutional achievements. Punch contributes to the British nation-building project by juxtaposing the supposed failures of the French liberal movement, with the supposed successes of British government. Its cartoons depict French constitutionalism in the era as violent and radical, constantly threatened by the forces of revolutionary turmoil on the one hand, and Bonapartist autocracy on the other. Moreover, Punch depicts these problems as self-inflicted; when given the choice between disorder and dictatorship, Frenchmen chose the latter. 2012-08-17T17:47:46Z 2012-08-17T17:47:46Z 2012 2012-08-17 2012-11 Electronic Thesis or Dissertation http://hdl.handle.net/2429/42959 eng University of British Columbia
collection NDLTD
language English
sources NDLTD
description This thesis examines caricatures of French politics in the British cartoon periodical Punch between the years 1848 and 1851. I argue that although the French “Other” was seen by Britons in the eighteenth century as a military danger, by the 1848 revolution it had been transformed into a dystopian analogue of Great Britain’s own constitutional achievements. Punch contributes to the British nation-building project by juxtaposing the supposed failures of the French liberal movement, with the supposed successes of British government. Its cartoons depict French constitutionalism in the era as violent and radical, constantly threatened by the forces of revolutionary turmoil on the one hand, and Bonapartist autocracy on the other. Moreover, Punch depicts these problems as self-inflicted; when given the choice between disorder and dictatorship, Frenchmen chose the latter.
author Zhou, Carson Yichen
spellingShingle Zhou, Carson Yichen
Othering France : depictions of French politics in Punch, 1848-1851
author_facet Zhou, Carson Yichen
author_sort Zhou, Carson Yichen
title Othering France : depictions of French politics in Punch, 1848-1851
title_short Othering France : depictions of French politics in Punch, 1848-1851
title_full Othering France : depictions of French politics in Punch, 1848-1851
title_fullStr Othering France : depictions of French politics in Punch, 1848-1851
title_full_unstemmed Othering France : depictions of French politics in Punch, 1848-1851
title_sort othering france : depictions of french politics in punch, 1848-1851
publisher University of British Columbia
publishDate 2012
url http://hdl.handle.net/2429/42959
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