Framing marriage : subtitle consumption, morality and sexuality in Hum Aapke Hain Kaun
In this thesis, I argue that the 1994 Bollywood film Hum Aapke Haiti Kaun (Who am I to You?), is framed by an apparent middle-class desire to reinscribe caste and class purity. I argue that the ritual of marriage enshrines the commodity and gives it a larger visual appeal that needs to be underst...
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| Language: | English |
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2009
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| Online Access: | http://hdl.handle.net/2429/13070 |