University music students' experiences of performance anxiety and how they cope with it

The purpose of the present study was to investigate the lived experience of post secondary music students who experience music performance anxiety (MPA). Also, this study investigated how these students cope with MPA. Ten university-level music students participated in a series of interviews. Conten...

Full description

Bibliographic Details
Main Author: Owen, Thomas
Language:English
Published: University of British Columbia 2009
Online Access:http://hdl.handle.net/2429/12467
id ndltd-LACETR-oai-collectionscanada.gc.ca-BVAU.2429-12467
record_format oai_dc
spelling ndltd-LACETR-oai-collectionscanada.gc.ca-BVAU.2429-124672014-03-26T03:36:14Z University music students' experiences of performance anxiety and how they cope with it Owen, Thomas The purpose of the present study was to investigate the lived experience of post secondary music students who experience music performance anxiety (MPA). Also, this study investigated how these students cope with MPA. Ten university-level music students participated in a series of interviews. Content analysis of the data was used to identify a number of important themes. Upon examination of the data, it appears that the experience of MPA and how music students cope with MPA is varied and complex. Possible implications of this study include gaining insight into the needs of music students who seek counselling for performance anxiety as well as informing counselling interventions in general. Limitations of the present study and suggestions for future research will also be discussed. 2009-08-21T17:21:57Z 2009-08-21T17:21:57Z 2009 2009-08-21T17:21:57Z 2009-11 Electronic Thesis or Dissertation http://hdl.handle.net/2429/12467 eng University of British Columbia
collection NDLTD
language English
sources NDLTD
description The purpose of the present study was to investigate the lived experience of post secondary music students who experience music performance anxiety (MPA). Also, this study investigated how these students cope with MPA. Ten university-level music students participated in a series of interviews. Content analysis of the data was used to identify a number of important themes. Upon examination of the data, it appears that the experience of MPA and how music students cope with MPA is varied and complex. Possible implications of this study include gaining insight into the needs of music students who seek counselling for performance anxiety as well as informing counselling interventions in general. Limitations of the present study and suggestions for future research will also be discussed.
author Owen, Thomas
spellingShingle Owen, Thomas
University music students' experiences of performance anxiety and how they cope with it
author_facet Owen, Thomas
author_sort Owen, Thomas
title University music students' experiences of performance anxiety and how they cope with it
title_short University music students' experiences of performance anxiety and how they cope with it
title_full University music students' experiences of performance anxiety and how they cope with it
title_fullStr University music students' experiences of performance anxiety and how they cope with it
title_full_unstemmed University music students' experiences of performance anxiety and how they cope with it
title_sort university music students' experiences of performance anxiety and how they cope with it
publisher University of British Columbia
publishDate 2009
url http://hdl.handle.net/2429/12467
work_keys_str_mv AT owenthomas universitymusicstudentsexperiencesofperformanceanxietyandhowtheycopewithit
_version_ 1716655104321388544