Compositions

Seven compositions, five for live instruments and two for electroacoustics, comprise this thesis. The works for live instruments vary in genre, and include pieces for chamber ensemble, choir, and solo instrument. "Music for Solo Violin" employs thematic material modelled after Eastern...

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Bibliographic Details
Main Author: Newsome, Gregory Lee
Language:English
Published: 2009
Online Access:http://hdl.handle.net/2429/10429
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-BVAU.2429-104292014-03-14T15:44:03Z Compositions Newsome, Gregory Lee Seven compositions, five for live instruments and two for electroacoustics, comprise this thesis. The works for live instruments vary in genre, and include pieces for chamber ensemble, choir, and solo instrument. "Music for Solo Violin" employs thematic material modelled after Eastern European folk music and intervallic structures, as does "Bagatelle for String Quartet." "Lux aeterna" expands a small, core idea into an entire composition whose salient features are an added-tone harmonic structure and a time-varying polyphonic texture, "non-art," "The Sacrifice of Infinity," and the electroacoustic works "Chroma" and "Purity" reflect an interest in compositional syntax modelled after timbre, avoidance of a post-World War II concept of gesture, and psychoacoustics. 2009-07-08T22:21:47Z 2009-07-08T22:21:47Z 2000 2009-07-08T22:21:47Z 2000-05 Electronic Thesis or Dissertation http://hdl.handle.net/2429/10429 eng UBC Retrospective Theses Digitization Project [http://www.library.ubc.ca/archives/retro_theses/]
collection NDLTD
language English
sources NDLTD
description Seven compositions, five for live instruments and two for electroacoustics, comprise this thesis. The works for live instruments vary in genre, and include pieces for chamber ensemble, choir, and solo instrument. "Music for Solo Violin" employs thematic material modelled after Eastern European folk music and intervallic structures, as does "Bagatelle for String Quartet." "Lux aeterna" expands a small, core idea into an entire composition whose salient features are an added-tone harmonic structure and a time-varying polyphonic texture, "non-art," "The Sacrifice of Infinity," and the electroacoustic works "Chroma" and "Purity" reflect an interest in compositional syntax modelled after timbre, avoidance of a post-World War II concept of gesture, and psychoacoustics.
author Newsome, Gregory Lee
spellingShingle Newsome, Gregory Lee
Compositions
author_facet Newsome, Gregory Lee
author_sort Newsome, Gregory Lee
title Compositions
title_short Compositions
title_full Compositions
title_fullStr Compositions
title_full_unstemmed Compositions
title_sort compositions
publishDate 2009
url http://hdl.handle.net/2429/10429
work_keys_str_mv AT newsomegregorylee compositions
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