Recent structural developments in Tabuh Kreasi Gong Kebyar

This paper is concerned with recent developments in the style of Balinese Gamelan known as Tabuh Kreasi Gong Kebyar. Specifically, the focus is on the repertoire of new compositions performed at the annual Bali Arts Festival in the last twenty years. The first section will explore the many influence...

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Main Author: Sandino, Joseph Paddy
Format: Others
Language:English
Published: University of British Columbia 2009
Online Access:http://hdl.handle.net/2429/5405
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-BVAU.-54052013-06-05T04:17:19ZRecent structural developments in Tabuh Kreasi Gong KebyarSandino, Joseph PaddyThis paper is concerned with recent developments in the style of Balinese Gamelan known as Tabuh Kreasi Gong Kebyar. Specifically, the focus is on the repertoire of new compositions performed at the annual Bali Arts Festival in the last twenty years. The first section will explore the many influences that have played a role in crafting the form and function of the music as it is today, namely the institutionalization of the arts, national cultural mandates, the competitive performance context of the festival and other aspects of modernization in Bali. The second half will be an analysis of a selection of pieces through this time period, focusing on development of formal structure and the emergence of new textures as well as harmonic and metric relationships.University of British Columbia2009-03-03T16:07:37Z2009-03-03T16:07:37Z20082009-03-03T16:07:37Z2008-11Electronic Thesis or Dissertation1449534 bytesapplication/pdfhttp://hdl.handle.net/2429/5405eng
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language English
format Others
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description This paper is concerned with recent developments in the style of Balinese Gamelan known as Tabuh Kreasi Gong Kebyar. Specifically, the focus is on the repertoire of new compositions performed at the annual Bali Arts Festival in the last twenty years. The first section will explore the many influences that have played a role in crafting the form and function of the music as it is today, namely the institutionalization of the arts, national cultural mandates, the competitive performance context of the festival and other aspects of modernization in Bali. The second half will be an analysis of a selection of pieces through this time period, focusing on development of formal structure and the emergence of new textures as well as harmonic and metric relationships.
author Sandino, Joseph Paddy
spellingShingle Sandino, Joseph Paddy
Recent structural developments in Tabuh Kreasi Gong Kebyar
author_facet Sandino, Joseph Paddy
author_sort Sandino, Joseph Paddy
title Recent structural developments in Tabuh Kreasi Gong Kebyar
title_short Recent structural developments in Tabuh Kreasi Gong Kebyar
title_full Recent structural developments in Tabuh Kreasi Gong Kebyar
title_fullStr Recent structural developments in Tabuh Kreasi Gong Kebyar
title_full_unstemmed Recent structural developments in Tabuh Kreasi Gong Kebyar
title_sort recent structural developments in tabuh kreasi gong kebyar
publisher University of British Columbia
publishDate 2009
url http://hdl.handle.net/2429/5405
work_keys_str_mv AT sandinojosephpaddy recentstructuraldevelopmentsintabuhkreasigongkebyar
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