Le romans à images description et fragmentation dans Le Jardin des Plantes de Claude Simon, L’Inauguration de la salle des Vents de Renaud Camus et Terrasse à Rome de Pascal Quignard
The framework used to study the three novels arises from the need to define a particular type of descriptive and fragmented scripta, which textualize an historical or existential disaster. Approaching our texts as ‘romans à images’, we endeavour to create a definition that problematizes the techniqu...
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| Language: | French |
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University of British Columbia
2013
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| Online Access: | http://hdl.handle.net/2429/44617 |
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