Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps
During the 1980s International Observers from Canadian churches and development organizations went to Central American refugees living in Honduras and México who fled from conflict zones in El Salvador and Guatemala, respectively. While there the observers commissioned and collected drawings by chil...
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University of British Columbia
2012
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ndltd-LACETR-oai-collectionscanada.gc.ca-BVAU.-422112013-06-05T04:20:14ZReconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee campsMantooth, Meredith DianeDuring the 1980s International Observers from Canadian churches and development organizations went to Central American refugees living in Honduras and México who fled from conflict zones in El Salvador and Guatemala, respectively. While there the observers commissioned and collected drawings by children living in the refugee camps. Shortly after this, the drawings were exhibited across Canada from 1986-1987 as part of the exhibition Disrupted Lives: Children’s Drawings from Central America. In this paper I argue that the exhibition of children’s drawings gave voice to a silenced aspect of Latin American history – the experiences of children living abroad in refugee camps displaced by the violence and civil wars in their home nations Guatemala and El Salvador. The “unsilencing” (Michel-Rolph Trouillot; 1995) of their histories also positions the drawings as illustrated examples of testimonio as defined by John Beverley (2004).University of British Columbia2012-04-23T19:05:58Z2012-04-23T19:05:58Z20122012-04-232012-05Electronic Thesis or Dissertationhttp://hdl.handle.net/2429/42211eng |
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NDLTD |
language |
English |
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NDLTD |
description |
During the 1980s International Observers from Canadian churches and development organizations went to Central American refugees living in Honduras and México who fled from conflict zones in El Salvador and Guatemala, respectively. While there the observers commissioned and collected drawings by children living in the refugee camps. Shortly after this, the drawings were exhibited across Canada from 1986-1987 as part of the exhibition Disrupted Lives: Children’s Drawings from Central America. In this paper I argue that the exhibition of children’s drawings gave voice to a silenced aspect of Latin American history – the experiences of children living abroad in refugee camps displaced by the violence and civil wars in their home nations Guatemala and El Salvador. The “unsilencing” (Michel-Rolph Trouillot; 1995) of their histories also positions the drawings as illustrated examples of testimonio as defined by John Beverley (2004). |
author |
Mantooth, Meredith Diane |
spellingShingle |
Mantooth, Meredith Diane Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps |
author_facet |
Mantooth, Meredith Diane |
author_sort |
Mantooth, Meredith Diane |
title |
Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps |
title_short |
Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps |
title_full |
Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps |
title_fullStr |
Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps |
title_full_unstemmed |
Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps |
title_sort |
reconstructing disrupted lives : the canadian exhibition of children's art from refugee camps |
publisher |
University of British Columbia |
publishDate |
2012 |
url |
http://hdl.handle.net/2429/42211 |
work_keys_str_mv |
AT mantoothmeredithdiane reconstructingdisruptedlivesthecanadianexhibitionofchildrensartfromrefugeecamps |
_version_ |
1716588167633567744 |