Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps

During the 1980s International Observers from Canadian churches and development organizations went to Central American refugees living in Honduras and México who fled from conflict zones in El Salvador and Guatemala, respectively. While there the observers commissioned and collected drawings by chil...

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Main Author: Mantooth, Meredith Diane
Language:English
Published: University of British Columbia 2012
Online Access:http://hdl.handle.net/2429/42211
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-BVAU.-422112013-06-05T04:20:14ZReconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee campsMantooth, Meredith DianeDuring the 1980s International Observers from Canadian churches and development organizations went to Central American refugees living in Honduras and México who fled from conflict zones in El Salvador and Guatemala, respectively. While there the observers commissioned and collected drawings by children living in the refugee camps. Shortly after this, the drawings were exhibited across Canada from 1986-1987 as part of the exhibition Disrupted Lives: Children’s Drawings from Central America. In this paper I argue that the exhibition of children’s drawings gave voice to a silenced aspect of Latin American history – the experiences of children living abroad in refugee camps displaced by the violence and civil wars in their home nations Guatemala and El Salvador. The “unsilencing” (Michel-Rolph Trouillot; 1995) of their histories also positions the drawings as illustrated examples of testimonio as defined by John Beverley (2004).University of British Columbia2012-04-23T19:05:58Z2012-04-23T19:05:58Z20122012-04-232012-05Electronic Thesis or Dissertationhttp://hdl.handle.net/2429/42211eng
collection NDLTD
language English
sources NDLTD
description During the 1980s International Observers from Canadian churches and development organizations went to Central American refugees living in Honduras and México who fled from conflict zones in El Salvador and Guatemala, respectively. While there the observers commissioned and collected drawings by children living in the refugee camps. Shortly after this, the drawings were exhibited across Canada from 1986-1987 as part of the exhibition Disrupted Lives: Children’s Drawings from Central America. In this paper I argue that the exhibition of children’s drawings gave voice to a silenced aspect of Latin American history – the experiences of children living abroad in refugee camps displaced by the violence and civil wars in their home nations Guatemala and El Salvador. The “unsilencing” (Michel-Rolph Trouillot; 1995) of their histories also positions the drawings as illustrated examples of testimonio as defined by John Beverley (2004).
author Mantooth, Meredith Diane
spellingShingle Mantooth, Meredith Diane
Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps
author_facet Mantooth, Meredith Diane
author_sort Mantooth, Meredith Diane
title Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps
title_short Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps
title_full Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps
title_fullStr Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps
title_full_unstemmed Reconstructing Disrupted Lives : the Canadian exhibition of children's art from refugee camps
title_sort reconstructing disrupted lives : the canadian exhibition of children's art from refugee camps
publisher University of British Columbia
publishDate 2012
url http://hdl.handle.net/2429/42211
work_keys_str_mv AT mantoothmeredithdiane reconstructingdisruptedlivesthecanadianexhibitionofchildrensartfromrefugeecamps
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