Sans fin sans (endlessness): for guitar, seven wind instruments and double bass

Sans fin sans (endlessness): for guitar, seven wind instruments and double bass

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sans fin sans (endlessness) is a fifteen-minute musical composition scored for solo guitar, seven wind instruments (flute, oboe, clarinet, bassoon, trumpet, horn, trombone) and double bass. Although the work is in one continuous movement, it consists of seven distinct sections, each constructed from...

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Bibliographic Details
Main Author: Amort, Joseph Scott
Format: Others
Language:English
Published: University of British Columbia 2009
Online Access:http://hdl.handle.net/2429/12470
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-BVAU.-124702013-06-05T04:17:45ZSans fin sans (endlessness): for guitar, seven wind instruments and double bassAmort, Joseph Scottsans fin sans (endlessness) is a fifteen-minute musical composition scored for solo guitar, seven wind instruments (flute, oboe, clarinet, bassoon, trumpet, horn, trombone) and double bass. Although the work is in one continuous movement, it consists of seven distinct sections, each constructed from fragmented pieces of a precomposed originating structure. Influenced by the prose of Samuel Beckett, sans fin sans is an exploration of non-linear time and the Deleuzian notion of art as abstract machine.University of British Columbia2009-08-21T19:07:55Z2009-08-21T19:07:55Z20092009-08-21T19:07:55Z2009-11Electronic Thesis or Dissertation1792761 bytesapplication/pdfhttp://hdl.handle.net/2429/12470eng
collection NDLTD
language English
format Others
sources NDLTD
description sans fin sans (endlessness) is a fifteen-minute musical composition scored for solo guitar, seven wind instruments (flute, oboe, clarinet, bassoon, trumpet, horn, trombone) and double bass. Although the work is in one continuous movement, it consists of seven distinct sections, each constructed from fragmented pieces of a precomposed originating structure. Influenced by the prose of Samuel Beckett, sans fin sans is an exploration of non-linear time and the Deleuzian notion of art as abstract machine.
author Amort, Joseph Scott
spellingShingle Amort, Joseph Scott
Sans fin sans (endlessness): for guitar, seven wind instruments and double bass
author_facet Amort, Joseph Scott
author_sort Amort, Joseph Scott
title Sans fin sans (endlessness): for guitar, seven wind instruments and double bass
title_short Sans fin sans (endlessness): for guitar, seven wind instruments and double bass
title_full Sans fin sans (endlessness): for guitar, seven wind instruments and double bass
title_fullStr Sans fin sans (endlessness): for guitar, seven wind instruments and double bass
title_full_unstemmed Sans fin sans (endlessness): for guitar, seven wind instruments and double bass
title_sort sans fin sans (endlessness): for guitar, seven wind instruments and double bass
publisher University of British Columbia
publishDate 2009
url http://hdl.handle.net/2429/12470
work_keys_str_mv AT amortjosephscott sansfinsansendlessnessforguitarsevenwindinstrumentsanddoublebass
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