| Summary: | The following is a document outlining the process of directing a production of the stage play A Dybbuk as part of Theatre at UBC’s 2007/2008 season.
My main objective in directing this piece of work was to explore the idea of theatre as a subject of memory and remembrance, of exploring how our knowledge of the past, present and future influence the way a work of theatre is presented and perceived, and of how history plays a role in how a work of theatre is transformed through the visions of other artists.
The process included a lengthy research period in which I examined the origins of the original S. Asnky script of The Dybbuk, comparing it to other later translations and adaptations, including the adaptation by Tony Kushner which was used for this production. The life of the playwright and the world of the play, historically and culturally were also researched. This investigation is outlined in Chapter One. This is followed by a detailed Directorial Analysis of the script which is outlined in Chapter Two. A journal chronicling the entire process spanning April of 2007 to March of 2008, including reflections on my research discoveries, inspirations from a variety of sources, and the trials and tribulations of both pre-production and rehearsals are outlined in Chapter Three. A final chapter of reflection and assessment on the entire process and thoughts on the final outcomes are outlined in Chapter Four.
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