Herstory: female artists' resistance in The Awakening, Corregidora, and The Dew Breaker

• Main Author: Schaefer, Mercedez L.
• Other Authors: Thorington-Springer, Jennifer
• Published: 2017
• Subjects: The Power of the Erotic; Audre Lorde; Kate Chopin; Gayl Jones; Edwidge Danticat; The Awakening; Corregidora; The Dew Breaker; art for the people's sake; resistance; role of women's literature in social justice; social justice via literature
• Online Access: http://hdl.handle.net/1805/14017; https://doi.org/10.7912/C26W89

Indiana University-Purdue University Indianapolis (IUPUI) === For women in patriarchal societies, life is stitched with silence and violence. This is especially true for women of color. In a world that has cast women as invisible and voiceless, to create from the margins is to demand to be seen and heard. Thus, women’s art has never had the privilege of being art for art’s sake and instead is necessarily involved in the work of articulating and (re)writing female experience. When women seek, through their work and art, to feel deeply and connect with other women, they tap into what Audre Lorde has famously termed “the power of the erotic.” Lorde suggests that to acknowledge and trust those deepest feelings within our bodies is a subversive power that spurs social change. In the following work, novels by Kate Chopin, Gayl Jones, and Edwidge Danticat are linked by their female characters who seek the erotic via their art of choice and, in doing so, resist disempowerment and explore the life-giving nature of female connection. Furthermore, because the authors themselves are engaged in rendering the female experience visible, the novels discussed actively converse with their respective waves of feminism and propel social activism and feminist discourse. Hence, this project provides both a close reading of The Awakening, Corregidora, and The Dew Breaker, and a broader contention on the role of women’s literature in social justice.