| Summary: | nÃo hà === Este trabalho apresenta um estudo sobre a prÃtica de ensino do canto com repertÃrio musical popular tradicional (a exemplo de canÃÃes de pastoris, reisados, cocos, cirandas, dentre outros), desenvolvida pela autora em sala de aula na disciplina Arte e em outros espaÃos de Ãmbito escolar pÃblico. Considerando o conhecimento deste repertÃrio como fundamental para a valorizaÃÃo da cultura popular brasileira, uma vez que esta se constitui fonte de construÃÃo de identidades e de sentimentos de pertencimento a um repertÃrio musical, alÃm da prÃpria educaÃÃo musical, que jà se efetua atravÃs da prÃtica do canto. As etapas percorridas neste processo de pesquisa foram a organizaÃÃo de um estudo bibliogrÃfico, a sistematizaÃÃo de um acervo documental atravÃs do registro de fotos, vÃdeos, escrita de letras e partituras das mÃsicas utilizadas, gravaÃÃes de Ãudio com as reflexÃes dos alunos e sobre a receptividade dos mesmos com relaÃÃo as atividades vivenciadas, contribuindo para a compreensÃo dessas prÃticas de EducaÃÃo Musical em contexto escolar pÃblico. A metodologia adotada foi a de pesquisa-aÃÃo de natureza qualitativa com entrevista semiestruturada. O referencial teÃrico baseou-se em Dayrell(1996), ParÃmetros Curriculares Nacionais para o ensino de Arte (1997), Diretrizes Curriculares para o Ensino Fundamental do Sistema PÃblico Municipal de Ensino de Fortaleza (2011), Cascudo (2012), Penna (2012), Silvino (2007), Souza (2014), Carta do Folclore Brasileiro(1995).
Palavras-chave: === Este trabalho apresenta um estudo sobre a prÃtica de ensino do canto com repertÃrio musical popular tradicional (a exemplo de canÃÃes de pastoris, reisados, cocos, cirandas, dentre outros), desenvolvida pela autora em sala de aula na disciplina Arte e em outros espaÃos de Ãmbito escolar pÃblico. Considerando o conhecimento deste repertÃrio como fundamental para a valorizaÃÃo da cultura popular brasileira, uma vez que esta se constitui fonte de construÃÃo de identidades e de sentimentos de pertencimento a um repertÃrio musical, alÃm da prÃpria educaÃÃo musical, que jà se efetua atravÃs da prÃtica do canto. As etapas percorridas neste processo de pesquisa foram a organizaÃÃo de um estudo bibliogrÃfico, a sistematizaÃÃo de um acervo documental atravÃs do registro de fotos, vÃdeos, escrita de letras e partituras das mÃsicas utilizadas, gravaÃÃes de Ãudio com as reflexÃes dos alunos e sobre a receptividade dos mesmos com relaÃÃo as atividades vivenciadas, contribuindo para a compreensÃo dessas prÃticas de EducaÃÃo Musical em contexto escolar pÃblico. A metodologia adotada foi a de pesquisa-aÃÃo de natureza qualitativa com entrevista semiestruturada. O referencial teÃrico baseou-se em Dayrell(1996), ParÃmetros Curriculares Nacionais para o ensino de Arte (1997), Diretrizes Curriculares para o Ensino Fundamental do Sistema PÃblico Municipal de Ensino de Fortaleza (2011), Cascudo (2012), Penna (2012), Silvino (2007), Souza (2014), Carta do Folclore Brasileiro(1995).
Palavras-chave: === Este trabalho apresenta um estudo sobre a prÃtica de ensino do canto com repertÃrio musical popular tradicional (a exemplo de canÃÃes de pastoris, reisados, cocos, cirandas, dentre outros), desenvolvida pela autora em sala de aula na disciplina Arte e em outros espaÃos de Ãmbito escolar pÃblico. Considerando o conhecimento deste repertÃrio como fundamental para a valorizaÃÃo da cultura popular brasileira, uma vez que esta se constitui fonte de construÃÃo de identidades e de sentimentos de pertencimento a um repertÃrio musical, alÃm da prÃpria educaÃÃo musical, que jà se efetua atravÃs da prÃtica do canto. As etapas percorridas neste processo de pesquisa foram a organizaÃÃo de um estudo bibliogrÃfico, a sistematizaÃÃo de um acervo documental atravÃs do registro de fotos, vÃdeos, escrita de letras e partituras das mÃsicas utilizadas, gravaÃÃes de Ãudio com as reflexÃes dos alunos e sobre a receptividade dos mesmos com relaÃÃo as atividades vivenciadas, contribuindo para a compreensÃo dessas prÃticas de EducaÃÃo Musical em contexto escolar pÃblico. A metodologia adotada foi a de pesquisa-aÃÃo de natureza qualitativa com entrevista semiestruturada. O referencial teÃrico baseou-se em Dayrell(1996), ParÃmetros Curriculares Nacionais para o ensino de Arte (1997), Diretrizes Curriculares para o Ensino Fundamental do Sistema PÃblico Municipal de Ensino de Fortaleza (2011), Cascudo (2012), Penna (2012), Silvino (2007), Souza (2014), Carta do Folclore Brasileiro(1995).
Palavras-chave: === Este trabalho apresenta um estudo sobre a prÃtica de ensino do canto com repertÃrio musical popular tradicional (a exemplo de canÃÃes de pastoris, reisados, cocos, cirandas, dentre outros), desenvolvida pela autora em sala de aula na disciplina Arte e em outros espaÃos de Ãmbito escolar pÃblico. Considerando o conhecimento deste repertÃrio como fundamental para a valorizaÃÃo da cultura popular brasileira, uma vez que esta se constitui fonte de construÃÃo de identidades e de sentimentos de pertencimento a um repertÃrio musical, alÃm da prÃpria educaÃÃo musical, que jà se efetua atravÃs da prÃtica do canto. As etapas percorridas neste processo de pesquisa foram a organizaÃÃo de um estudo bibliogrÃfico, a sistematizaÃÃo de um acervo documental atravÃs do registro de fotos, vÃdeos, escrita de letras e partituras das mÃsicas utilizadas, gravaÃÃes de Ãudio com as reflexÃes dos alunos e sobre a receptividade dos mesmos com relaÃÃo as atividades vivenciadas, contribuindo para a compreensÃo dessas prÃticas de EducaÃÃo Musical em contexto escolar pÃblico. A metodologia adotada foi a de pesquisa-aÃÃo de natureza qualitativa com entrevista semiestruturada. O referencial teÃrico baseou-se em Dayrell(1996), ParÃmetros Curriculares Nacionais para o ensino de Arte (1997), Diretrizes Curriculares para o Ensino Fundamental do Sistema PÃblico Municipal de Ensino de Fortaleza (2011), Cascudo (2012), Penna (2012), Silvino (2007), Souza (2014), Carta do Folclore Brasileiro(1995).
Palavras-chave: === This work presents a study about singing practice with traditional popular musical repertoire (such as pastoral songs, reisados, cocos, paus de fitas, among others), developed by the author in the classroom while teaching Art as a school subject and in other places that make part of the public school. Considering the knowledge of this repertoire very important for the appreciation of the Brazilian popular culture, due to the fact that it makes part of the construction of identities and, as well as, feelings of belonging to a musical repertoire, besides the musical education itself that already is effected through the singing classes practices. The steps taken in this research were divided into a bibliographic study, followed by the systematization of a data collection archive of photos, videos, lyrics and the musical scores of the songs used in this process. Audio recordings with the studentsâ opinions about their receptivity in relation to the activities experienced, contributing to the understanding of Musical Education practices in a public school context. The methodology adopted was a qualitative research with a semi-structured interview. The theoretical framework of this study was based on Dayrell (1996), National Curricular Parameters for the Teaching of Art (1997), Curriculum Guidelines for Elementary Education of the Municipal Public Education System of Fortaleza (2011), Cascudo (2012), Penna (2012) ), Silvino (2007), Souza (2014), Brazilian Folklore Letter (1995).
=== This work presents a study about singing practice with traditional popular musical repertoire (such as pastoral songs, reisados, cocos, paus de fitas, among others), developed by the author in the classroom while teaching Art as a school subject and in other places that make part of the public school. Considering the knowledge of this repertoire very important for the appreciation of the Brazilian popular culture, due to the fact that it makes part of the construction of identities and, as well as, feelings of belonging to a musical repertoire, besides the musical education itself that already is effected through the singing classes practices. The steps taken in this research were divided into a bibliographic study, followed by the systematization of a data collection archive of photos, videos, lyrics and the musical scores of the songs used in this process. Audio recordings with the studentsâ opinions about their receptivity in relation to the activities experienced, contributing to the understanding of Musical Education practices in a public school context. The methodology adopted was a qualitative research with a semi-structured interview. The theoretical framework of this study was based on Dayrell (1996), National Curricular Parameters for the Teaching of Art (1997), Curriculum Guidelines for Elementary Education of the Municipal Public Education System of Fortaleza (2011), Cascudo (2012), Penna (2012) ), Silvino (2007), Souza (2014), Brazilian Folklore Letter (1995).
=== This work presents a study about singing practice with traditional popular musical repertoire (such as pastoral songs, reisados, cocos, paus de fitas, among others), developed by the author in the classroom while teaching Art as a school subject and in other places that make part of the public school. Considering the knowledge of this repertoire very important for the appreciation of the Brazilian popular culture, due to the fact that it makes part of the construction of identities and, as well as, feelings of belonging to a musical repertoire, besides the musical education itself that already is effected through the singing classes practices. The steps taken in this research were divided into a bibliographic study, followed by the systematization of a data collection archive of photos, videos, lyrics and the musical scores of the songs used in this process. Audio recordings with the studentsâ opinions about their receptivity in relation to the activities experienced, contributing to the understanding of Musical Education practices in a public school context. The methodology adopted was a qualitative research with a semi-structured interview. The theoretical framework of this study was based on Dayrell (1996), National Curricular Parameters for the Teaching of Art (1997), Curriculum Guidelines for Elementary Education of the Municipal Public Education System of Fortaleza (2011), Cascudo (2012), Penna (2012) ), Silvino (2007), Souza (2014), Brazilian Folklore Letter (1995).
=== This work presents a study about singing practice with traditional popular musical repertoire (such as pastoral songs, reisados, cocos, paus de fitas, among others), developed by the author in the classroom while teaching Art as a school subject and in other places that make part of the public school. Considering the knowledge of this repertoire very important for the appreciation of the Brazilian popular culture, due to the fact that it makes part of the construction of identities and, as well as, feelings of belonging to a musical repertoire, besides the musical education itself that already is effected through the singing classes practices. The steps taken in this research were divided into a bibliographic study, followed by the systematization of a data collection archive of photos, videos, lyrics and the musical scores of the songs used in this process. Audio recordings with the studentsâ opinions about their receptivity in relation to the activities experienced, contributing to the understanding of Musical Education practices in a public school context. The methodology adopted was a qualitative research with a semi-structured interview. The theoretical framework of this study was based on Dayrell (1996), National Curricular Parameters for the Teaching of Art (1997), Curriculum Guidelines for Elementary Education of the Municipal Public Education System of Fortaleza (2011), Cascudo (2012), Penna (2012) ), Silvino (2007), Souza (2014), Brazilian Folklore Letter (1995).
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