Hist?ria, cinema e representa??es sobre ind?genas: uma an?lise de Caramuru, a inven??o do Brasil

• Main Author: Souza, Mabel Freitas Araujo de
• Other Authors: Santos, Ana Maria Carvalho dos
• Format: Others
• Language: Portuguese
• Published: Universidade Estadual de Feira de Santana 2017
• Subjects: Povos ind?genas; Cinema; Historiografia; Representa??o; Indigenous peoples; Movies; Historiography; Representation; CIENCIAS HUMANAS
• Online Access: http://localhost:8080/tede/handle/tede/527

Submitted by Ricardo Cedraz Duque Moliterno ([e-mail]) on 2017-11-21T22:15:07Z No. of bitstreams: 1 Disserta??o Mabel.pdf: 11411644 bytes, checksum: 84f68e1889b6c843240b13dde16da945 (MD5) === Made available in DSpace on 2017-11-21T22:15:07Z (GMT). No. of bitstreams: 1 Disserta??o Mabel.pdf: 11411644 bytes, checksum: 84f68e1889b6c843240b13dde16da945 (MD5) Previous issue date: 2016-07-29 === Conselho Nacional de Pesquisa e Desenvolvimento Cient?fico e Tecnol?gico - CNPq === This paper discusses the relationship between fictional cinema and Brazilian historiography in the construction and perpetuation of representative images on indigenous peoples. We seek to map the first representations regarding these people and how they are still present in the collective imagination . The filmCaramuru, a inven??o do Brasil, the main source and object of this work was taken as an example of filmic production of the period (1995-2005), the analyzed emphasizing the celebrations of 500 years of Brazil. It sought to explore the historical context in which the film was produced and launched, aiming to understand the forms of representation and also highlight the similarities of the filmic discourse in relation to the discourses contained in some works of Brazilian historiography. === Esse trabalho discute a rela??o entre a cinematografia ficcional e a historiografia brasileira na constru??o e perpetua??o das imagens representativas sobre os povos ind?genas. Objetivou-se mapear as primeiras representa??es a respeito desses povos e como ainda est?o presentes no imagin?rio coletivo. O filme Caramuru, a inven??o do Brasil, principal fonte e objeto desse trabalho, foi tomado como exemplo de produ??o f?lmica do per?odo em quest?o (1995-2005) e analisado com ?nfase nas comemora??es dos 500 anos do Brasil. Al?m disso, buscou-se explorar o contexto hist?rico em que a pel?cula foi produzida e lan?ada, visando perceber suas formas de representa??o e ainda destacar as similaridades do discurso f?lmico em rela??o aos discursos contidos em algumas obras da historiografia brasileira.