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Previous issue date: 2016-02-26 === This dissertation presents an analysis about the learning involved in dances which take place in festivities of the brazilian popular culture. Its objective was to investigate the perspective of the brincante making for movement creation, as a process of dance learning. For that, I performed an investigation about the term brincante, present in part of the popular dances studies, to consider their makings as ways of participating in the popular festivities. Having this ?brincante? making as starting point, I analysed the notions of aesthetic experience and body perception of the individual who dances surrounded by the cultural circumstances of the festivity. The aesthetic experience is, here, the possibility of opening to this moment and, also, what allows to approximate the festive event to the notion of learning. In order to evidence the means of interaction between the individual and the space, I articulate theories concerning sensory perceptions, which involve somatic practice and the concept of learning. To develop such investigation, I made a theoretical research through a reflexive analysis of blibliographic references, articulated with registers which emerged from my experiences as an apprentice in three popular festivities: a carnival cortege, a Jongo festivitity and a Ma?ambique procession. The articulation among popular dance, brincante, aesthetic experience and somatic perception allowed to expand the meanings of learning and oriented the discussion to the dimension of dance learning, which implies creating movements and organizing the body from the relations involved in participating of the popular festivity. === Esta disserta??o apresenta uma an?lise acerca das aprendizagens envolvidas nas dan?as que acontecem em festas da cultura popular brasileira. Objetivou-se investigar uma perspectiva do fazer brincante para cria??o de movimento, enquanto processo de aprendizagem em dan?a. Para tanto, realizei uma investiga??o sobre o termo brincante, presente em parte dos estudos em dan?as populares, a fim de considerar os seus fazeres como formas de participa??o nas festas populares. Tendo o fazer brincante como ponto de partida, analisei as no??es de experi?ncia est?tica e percep??o corporal do sujeito que dan?a rodeado de condi??es culturais, presentes no momento da festa. A experi?ncia est?tica ?, aqui, a possibilidade de abertura a esse momento e o que permite aproximar o acontecimento festivo ? no??o de aprendizagem. A fim de evidenciar os meios de intera??o entre o sujeito e o espa?o da festa, articulo teorias a respeito das percep??es sensoriais, que envolvem a pr?tica som?tica e o conceito de aprendizagem. Para desenvolver tal investiga??o, realizei uma pesquisa te?rica a partir da an?lise reflexiva de refer?ncias bibliogr?ficas, articuladas com registros que emergiram das minhas experi?ncias enquanto aprendiz em tr?s festas populares: um cortejo de carnaval, uma festa de jongo e uma prociss?o de ma?ambique. A articula??o entre dan?a popular, brincante, experi?ncia est?tica e percep??o som?tica permitiu ampliar os sentidos da aprendizagem e orientou a discuss?o ? dimens?o da aprendizagem em dan?a que implica criar movimentos e organizar o corpo a partir das rela??es envolvidas em participar da festa popular.
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