Para al?m do olhar : o ponto de vista no filme A mulher sem cabe?a

Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2016-01-08T10:35:19Z No. of bitstreams: 1 DIS_VICENTE_NUNES_MORENO_COMPLETO.pdf: 2584458 bytes, checksum: c3413a18692aa24bf7bca35d96e4b9ec (MD5) === Made available in DSpace on 2016-01-08T10:35:20Z (GMT). No. of bitstreams...

Full description

Bibliographic Details
Main Author: Moreno, Vicente Nunes
Other Authors: Gerbase, Carlos
Format: Others
Language:Portuguese
Published: Pontif?cia Universidade Cat?lica do Rio Grande do Sul 2016
Subjects:
Online Access:http://tede2.pucrs.br/tede2/handle/tede/6457
Description
Summary:Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2016-01-08T10:35:19Z No. of bitstreams: 1 DIS_VICENTE_NUNES_MORENO_COMPLETO.pdf: 2584458 bytes, checksum: c3413a18692aa24bf7bca35d96e4b9ec (MD5) === Made available in DSpace on 2016-01-08T10:35:20Z (GMT). No. of bitstreams: 1 DIS_VICENTE_NUNES_MORENO_COMPLETO.pdf: 2584458 bytes, checksum: c3413a18692aa24bf7bca35d96e4b9ec (MD5) Previous issue date: 2015-10-16 === Conselho Nacional de Pesquisa e Desenvolvimento Cient?fico e Tecnol?gico - CNPq === This dissertation is aimed at mapping the debate around the point of view in cinema from a narratological genettian perspective, defining the agents responsible for the narrative, as well as its forms of subjective modulation - especially the triad focalization, ocularization and auricularization. The mapped concepts are then applied in the analysis of The Headless Woman (La Mujer Sin Cabeza, Lucrecia Martel, 2008), in an attempt to understand the narrative strategies employed in the film (mise en sc?ne, mise en cadre, mise en cha?ne) to reach an atypical subjective narration. === Essa disserta??o tem por objetivo mapear o debate acerca do ponto de vista no cinema a partir de uma perspectiva narratol?gica genettiana, definindo os agentes respons?veis pela narrativa, bem como suas formas de modula??o subjetiva ? em especial o trin?mio oculariza??o, auriculariza??o e focaliza??o. Os conceitos mapeados s?o ent?o aplicados na an?lise de A Mulher Sem Cabe?a (La Mujer Sin Cabeza, Lucrecia Martel, 2008), procurando entender as estrat?gias narrativas empregadas no filme (mise en sc?ne, mise en cadre, mise en cha?ne) para alcan?ar uma subjetiva??o at?pica da diegese.