Maria Antonieta: uma abordagem cinematogr?fica do indiv?duo contempor?neo

Made available in DSpace on 2015-04-14T14:41:48Z (GMT). No. of bitstreams: 1 447485.pdf: 7207682 bytes, checksum: c9411e0d82c63e53b80c713873e8b6ea (MD5) Previous issue date: 2013-03-27 === This research analyzes the film Maria Antonieta and aim to demonstrate that the work directed by American Sof...

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Bibliographic Details
Main Author: Os?rio, Moreno Cruz
Other Authors: Gerbase, Carlos
Format: Others
Language:Portuguese
Published: Pontif?cia Universidade Cat?lica do Rio Grande do Sul 2015
Subjects:
Online Access:http://tede2.pucrs.br/tede2/handle/tede/4535
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Summary:Made available in DSpace on 2015-04-14T14:41:48Z (GMT). No. of bitstreams: 1 447485.pdf: 7207682 bytes, checksum: c9411e0d82c63e53b80c713873e8b6ea (MD5) Previous issue date: 2013-03-27 === This research analyzes the film Maria Antonieta and aim to demonstrate that the work directed by American Sofia Coppola is able to provide a meaning related to existential condition of the individual in the contemporaneity. For that, performs two major efforts. First, it defines this individual using the sociology of Zygmunt Bauman e Michel Maffesoli, specifically their position about the situation of contemporany man. Then, analyzes the film, making an approach to dionisyan-liquid concept, developed based on the two thinkers. For this, it uses as methodology a technique of film analysis developed by David Bordwell. It is responsable for bringing the film to the sociological concept, demonstrating the possibility that the senses necessary for the consolidation or meaning are constructed, what characterizes the trajectory of the main character as a pendulum between Bauman's liquid modernity and Maffesoli's postmodernity. === Esta pesquisa analisa o filme Maria Antonieta e procura demonstrar que a obra dirigida pela norte-americana Sofia Coppola ? capaz de proporcionar um significado relacionado ? condi??o existencial do indiv?duo na contemporaneidade. Para isso, realiza dois grandes esfor?os. Primeiro, aborda este indiv?duo a partir das sociologias de Zygmunt Bauman e Michel Maffesoli, especificamente no posicionamento que ambos t?m a respeito da situa??o do homem contempor?neo. Depois, analisa o filme aproximando-o do conceito desconforto dionis?aco-l?quido, criado com base nos dois pensadores. Para isso, usa como aporte metodol?gico uma t?cnica de an?lise f?lmica de David Bordwell. Ela ? a respons?vel por aproximar o conceito sociol?gico ao filme, demonstrando a possibilidade de que os sentidos necess?rios para a consolida??o de um significado sejam constru?dos, caracterizando a trajet?ria da personagem principal como um movimento pendular entre a modernidade l?quida de Bauman e a p?s-modernidade de Maffesoli.