Rupturas : reflexões, desafios estéticos e pedagógicos de um processo pós-dramático em contexto do ensino médio (técnico)

Submitted by Luiza Kleinubing (luiza.kleinubing@udesc.br) on 2018-03-09T18:43:54Z No. of bitstreams: 1 MATHEUS VINICIUS DE SOUSA FERNANDES.pdf: 1694077 bytes, checksum: b5a826046da383701b109d1fb63eb8b0 (MD5) === Made available in DSpace on 2018-03-09T18:43:54Z (GMT). No. of bitstreams: 1 MATHEUS VIN...

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Bibliographic Details
Main Author: Fernandes, Matheus Vinicius de Sousa
Other Authors: Baumgärtel, Stephan Arnulf
Format: Others
Language:Portuguese
Published: Universidade do Estado de Santa Catarina 2018
Subjects:
Online Access:http://tede.udesc.br/handle/handle/2525
Description
Summary:Submitted by Luiza Kleinubing (luiza.kleinubing@udesc.br) on 2018-03-09T18:43:54Z No. of bitstreams: 1 MATHEUS VINICIUS DE SOUSA FERNANDES.pdf: 1694077 bytes, checksum: b5a826046da383701b109d1fb63eb8b0 (MD5) === Made available in DSpace on 2018-03-09T18:43:54Z (GMT). No. of bitstreams: 1 MATHEUS VINICIUS DE SOUSA FERNANDES.pdf: 1694077 bytes, checksum: b5a826046da383701b109d1fb63eb8b0 (MD5) Previous issue date: 2016-03-21 === The work here reflects discoursed about a Postdramatic theater experiment conducted in high school context (Technical). Qualitative research, practical-theoretical nature, aims to realize and pursue aesthetic, educational, philosophical principles that offer potential for theatrical creation at school, focusing on the meanings of freedom in the area of education, student role and relevance of teacher's role as a mediator in the theatrical creation. Therefore, I turn to the writings of theorists who made me redraft written in the abovementioned practice: HansThies Lehmann, Richard Schechner, Marcos Bulhões Martins, Hannah Arendt, Paulo Freire, Lev Vygotsky, Silvio Gallo, among others. === O trabalho aqui discorrido reflexiona acerca de um experimento teatral pós-dramático realizado em contexto de Ensino Médio (Técnico). A pesquisa qualitativa, de cunho prático-teórico, tem por objetivo perceber e buscar princípios estéticos, pedagógicos e filosóficos, que oferecem potencial para a criação teatral no espaço escolar, com foco nos sentidos de liberdade no espaço da educação, bem como, o protagonismo dos alunos e relevância do papel do professor como mediador na criação teatral. Para tanto, recorro aos escritos de teóricos que me fizeram reelaborar em escrita, a prática supracitada: Hans-Thies Lehmann (2007, 2009), Richard Schechner (1985, 2002), Marcos Bulhões Martins (2008), Hannah Arendt (1988, 2006), Paulo Freire (1980), Lev Vigotski (2001), Silvio Gallo (2002), dentre outros.