A m?sica, a narrativa e a forma??o de professores

• Main Author: Serodio, Liana Arrais
• Other Authors: Castanho, Maria Eug?nia de Lima e Montes
• Format: Others
• Language: Portuguese
• Published: Pontif?cia Universidade Cat?lica de Campinas 2016
• Subjects: m?sica; narrativa; forma??o de professores; talento; est?tica; ?tica; aprendizado passivo; prazer de aprender; entrela?amento de linguagens verbal e musical; music; narrative; teacher s formation; talent; esthetics; ethics; passive learning; pleasure of learning; intertwning of verbal and musical languages; CNPQ::CIENCIAS HUMANAS::EDUCACAO
• Online Access: http://tede.bibliotecadigital.puc-campinas.edu.br:8080/jspui/handle/tede/609

Made available in DSpace on 2016-04-04T18:32:42Z (GMT). No. of bitstreams: 1 Liana Arrais Serodio.pdf: 933599 bytes, checksum: 09b3bd945c9515359c0ebbf3a7a57a0f (MD5) Previous issue date: 2008-02-12 === Research about the use of the narrative on the musical educator formation. It is based on the conviction that the verbal argumentation is relevant for the dialog about the music teaching and that this potentially leads to the democratization of the comprehension of its wide and specialized knowledge field. The researcher is implicated on this thematic in triplicate, namely, as a student, as a teacher and as a teacher's educator, and this amplifies the narrative power as content and research style, besides working with narrative data as so. The text created by students of Musical Education at Universidade Estadual Paulista (UNESP) S?o Paulo as part of a didactic contract, they are pedagogical narratives taken as research data, and result in concepts such as talent, the ability to learn to' other, languages intertwining - verbal and musical -, while they narrate their own histories. === Pesquisa sobre o uso da narrativa na forma??o do educador musical. ? baseada na convic??o de que a argumenta??o verbal importa para o di?logo sobre o ensino de m?sica e que este potencialmente leva ? democratiza??o da compreens?o de seu vasto e especializado campo de conhecimento. A pesquisadora ? triplamente implicada na tem?tica, como aluna, professora e formadora, o que amplia a pot?ncia da narrativa como conte?do e forma da pesquisa, al?m de trabalhar com dados igualmente narrativos. Os textos produzidos pelos estudantes de Licenciatura em Educa??o Musical na Universidade Estadual Paulista (UNESP) -S?o Paulo como parte do contrato did?tico, s?o narrativas pedag?gicas tomadas como dados da pesquisa, e d?o a ver conceitos como o talento, o aprender 'para' outro, o entrela?amento de linguagens - verbal e musical - , enquanto narram as pr?prias hist?rias.