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Previous issue date: 2015-05-15 === A proposta desta pesquisa ? pensar sobre a contemporaneidade abordando algumas quest?es fundamentais que, geralmente, n?o s?o percept?veis na vida cotidiana. A sociedade que privilegia a imagem, paradoxalmente, nos cega cognitivamente para as causas da maioria dos problemas que envolvem as rela??es sociais. Por outro lado, a iconofobia, o desprezo da imagem, principalmente pela academia, dificulta a percep??o do ?mundo imaginal? (MAFFESOLI, 2005) tal qual se evidencia. A inten??o ? refletir sobre a contemporaneidade utilizando a imagem como ferramenta de pesquisa, seguindo a potencialidade metodol?gica do cinema na sua capacidade de condensar o imagin?rio social vigente atrav?s da composi??o cinematogr?fica. O filme condutor para as reflex?es ? Ensaio sobre a cegueira (Blindness, 2007), filme baseado no livro hom?nimo de Jos? Saramago. O filme foi escolhido justamente por abordar a quest?o da cegueira f?sica e metaf?rica como uma cr?tica da vis?o de mundo que formata hegemonicamente a contemporaneidade ocidental, capitalista, urbana e midiatizada. O realce nas rela??es sociais corresponde a um tipo ideal de sociedade onde as desigualdades e o controle social s?o extremados. Para pensar quest?es t?o densas, a constru??o te?rica se aproxima da forma de conhecimento do pensamento complexo em di?logo com pensadores contempor?neos. === The purpose of this research is to think about the contemporary addressing key issues that usually are not noticeable in everyday life. The society that privileges the image, paradoxically, in cognitively blind to the causes of most problems involving social relations. On the other hand, the iconophobia, contempt image, especially by the academy, hinders the perception of the "imaginal world" (MAFFESOLI, 2005) as it is evident. The intention is to reflect on the contemporary using the image as a research tool, following the methodological movie potential in their ability to condense the current social imagination through the film composition. The conductor film for the reflections is Blindness (Meirelles; 2007), a movie based on the book by Jos? Saramago. The film was chosen for addressing the issue of physical and metaphorical blindness as a critique of hegemonic worldview that formats the western contemporary, capitalist, urban and mediated. The emphasis in social relations corresponds to an ideal type of society where inequalities and social control are extreme. Issues to think so thick, the theoretical construction approaches the form of knowledge of the complex thought in dialogue with contemporary thinkers.
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