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Previous issue date: 2014-10-02 === O presente trabalho pretende, a partir da an?lise da circula??o de discos de vinil em uma
determinada situa??o hist?rica, produzir uma interpreta??o da forma??o e
desenvolvimento do fen?meno sociocultural conhecido como cena Black Rio, ocorrido
no Rio de Janeiro na d?cada de 70 do s?culo XX. Trata-se tamb?m de mapear o campo
art?stico e de consumo em a??o na cena, inserindo-o em um contexto mais amplo de
circula??o de cultura caracterizado no conceito que Paul Gilroy (2012) nomeia de
Atl?ntico negro. Ao inserir a Black Rio ao Atl?ntico negro, a pesquisa permitiu, desta
maneira, a possibilidade de investiga??o da forma??o de identidades locais a partir de
referenciais estrangeiros ou globais, e dos estilos de vida decorrentes deste processo de
ressignifica??o e trocas culturais. Em um segundo momento, faz-se um esfor?o para se
entender a identidade racial e a sua conex?o com a dimens?o pol?tica do contexto dos
bailes e da cena Black Rio. Utilizando-se para tanto dos trabalhos de Hall, Giacomini e
Sansone, que orbitam em torno dos conceitos de ra?a, etnicidade e identidade, planejase,
no limite, refletir sobre a seguinte quest?o: o qu?o negra (ou black) foi (ou ?) a cena
Black Rio? === This work aims to make, through the analysis of vinyl discs circulation in a certain
historical situation, an interpretation of the formation and development of the socialcultural
phenomenon known as Black Rio scene, which took place in Rio de Janeiro in
the 20th century?s 70s. It also intends to map the field of arts and consumerism that took
place in the scene, including it in the wider context of circulation of culture rooted in the
concept that Paul Gilroy (2012) names Black Atlantic. By associating Black Rio with
the Black Atlantic, this reasearch has thus allowed the possibility for investigating the
formation of ?native? or local identities related to foreign or global references, and the
lifestyles that sprung from this process of cultural ressignification and exchange. On a
second step, we make an effort to understand the racial identity and its connection to the
political dimension of the context of the festivals and the Black Rio scene. For this
purpose, we refer to the writings by Hall, Giacomini and Sansone, who explore the
concepts of race, ethnicity and identity, and we try to think about the following
question: how black was (or is) the Black Rio scene?
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