Entre missas e batuques: Irmandade de Nossa Senhora do Ros?rio dos Homens Pretos em Recife, Goiana e Olinda - S?culo XVIII

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Bibliographic Details
Main Author: Chitunda, Paulo Alexandre Sicato
Other Authors: 60093870787
Language:Portuguese
Published: Universidade Federal do Rio Grande do Norte 2015
Subjects:
Online Access:http://repositorio.ufrn.br/handle/123456789/19460
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Summary:Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2015-12-08T19:26:35Z No. of bitstreams: 1 PauloAlexandreSicatoChitunda_DISSERT.pdf: 1202673 bytes, checksum: 090c12c10f5a0694fe62c8163d405a2b (MD5) === Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2015-12-10T23:13:07Z (GMT) No. of bitstreams: 1 PauloAlexandreSicatoChitunda_DISSERT.pdf: 1202673 bytes, checksum: 090c12c10f5a0694fe62c8163d405a2b (MD5) === Made available in DSpace on 2015-12-10T23:13:07Z (GMT). No. of bitstreams: 1 PauloAlexandreSicatoChitunda_DISSERT.pdf: 1202673 bytes, checksum: 090c12c10f5a0694fe62c8163d405a2b (MD5) Previous issue date: 2014-09-24 === Programa Nacional de Coopera??o Acad?mica - PROCAD === Este trabalho representa um estudo comparativo entre tr?s Irmandades negras que existiam em Pernambuco no s?culo XVIII, trata-se da Irmandade de Nossa Senhora do Ros?rio dos Homens Pretos do Recife, Goiana e Olinda. O objetivo foi perceber as semelhan?as e diferen?as entre elas, tendo como par?metro de compara??o os seus estatutos de funcionamento, chamados de Compromissos. A partir da an?lise dos dados dos Compromissos, associados a outros documentos produzidos pelas Irmandades e pelas autoridades administrativas e religiosas da ?poca, procurou-se tra?ar o perfil social das vilas em tela, bem como a participa??o da popula??o negra em seu interior. Buscou-se entender as condi??es hist?ricas daquele per?odo, a partir do fato de que na sociedade escravista, o negro estava posicionado em uma situa??o de subalternidade. Entretanto, como elemento portador de cultura, apesar desta condi??o, conseguiu transpor obst?culos sociais, abrindo possibilidades para que pudessem ocorrer manifesta??es culturais pr?prias de seu grupo. A conviv?ncia nas Irmandades do Ros?rio, que, al?m de organismos de assist?ncia m?tua no ?mbito da religi?o cat?lica, tamb?m se constitu?ram como campos mediadores entre a cultura erudita e a cultura popular, fez com que aquelas organiza??es se tornassem espa?os de sociabilidade e de representa??o permitidos pela ordem vigente. As Irmandades do Ros?rio em Recife, Goiana e Olinda, possu?am l?gicas hier?rquicas pr?prias que se engendravam ao processo de constru??o de novas identidades negras marcadas pela circularidade cultural que se tornou poss?vel em fun??o da di?spora atl?ntica. === This work is a comparative study of three black brotherhoods that existed in Pernambuco in the eighteenth century, it is the Brotherhood of Our Lady of the Rosary of Black Men of Recife, Olinda and Goi?s. The goal was to understand the similarities and differences between them, taking as benchmark their operating statutes, called Appointments. From the data analysis of the commitments associated with other documents produced by the Brotherhoods and the administrative and religious authorities, we sought the social profile of the villages in evidence, as well as the participation of black people inside. We sought to understand the historical conditions of that period, from the fact that the slave society, the black was placed in a position of subordination. However, as a carrier element of culture, although this condition, was able to overcome social obstacles, opening possibilities for own cultural manifestations of his group could occur. The coexistence in the Brotherhoods of the Rosary, which in addition to organizations for mutual assistance within the Catholic religion, is also constituted as fields mediators between high culture and popular culture, made those organizations become social spaces and representation allowed the existing order. The Brotherhoods of the Rosary in Recife, Olinda and Goi?s, had their own hierarchical logic that engendered the construction of new black identities marked by cultural circularity that became possible due to the Atlantic diaspora process