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Previous issue date: 2007-12-10 === Conselho Nacional de Desenvolvimento Cient?fico e Tecnol?gico === Taking from starting point the contact with the experience of a dancing body language group at Centro de Aten??o Psicossocial (CAPS) II in Fortaleza-CE, aiming to investigate the relationship between what we denominate dancing-dispositive and the process of de-institutionalization of insanity. Based in the philosophy of difference and in the cartographic perspective, we used the concept of dispositive in order to make visible the lines that compose it and the way they tangle in the production of different ways of subjectivation through another form of expression using the body. We followed two fortnight groups of body language recording the conversations that took place in the beginning and in the end of the activities. We also recorded our informal talks with the workshopper, with the psychiatrist responsible for the course of formation of artists of CAPS and the choreographer who was part of the artistic formation of the workshopper aiming to elucidate the body, dance and art conceptions which guided such work. Finally, we interviewed some technicians and we participated of a meeting of the team aiming to understand how that activity was perceived. We observed that the use of certain conception of dance in the field of mental health is in consonance with the the Phychiatric Reform, since it provides another way of dealing with the body, different from that produced by the contention and by the discipline. Nevertheless, we understood that there is a risk that, in some moments, the group being more a place of normalization than one of experimenting other ways of relating with yourself and with the others. We also noted that the dancing-dispositive appears as an important analyzer of the connections established at CAPS, indicating a need of the service to be more opened to the production of new care and harboring strategies, breaking the mental health facility logic of incarceration of life which still persists in the quotidian of that institution === A partir do contato com a experi?ncia de um grupo de express?o corporal em dan?a num Centro de Aten??o Psicossocial (CAPS) II em Fortaleza-CE, objetivamos investigar a rela??o entre o que denominamos dispositivo-dan?a e o processo de desinstitucionaliza??o da loucura. Baseando-nos na filosofia da diferen?a e na perspectiva cartogr?fica, utilizamos o conceito de dispositivo no intuito de tornar vis?veis as linhas que o comp?em e a maneira como se enredam na produ??o de diferentes modos de subjetiva??o atrav?s de uma outra forma de express?o por meio do corpo. Acompanhamos duas turmas quinzenais do grupo de express?o corporal, registrando os momentos de conversa realizados no come?o e no fim das atividades. Registramos tamb?m nossas conversas informais com o oficineiro, com o psiquiatra respons?vel pelo curso de forma??o dos artistas dos CAPS e com a core?grafa que fez parte da forma??o art?stica do oficineiro no intuito de elucidarmos as concep??es de corpo, dan?a e arte que norteavam tal trabalho. Por fim, entrevistamos alguns t?cnicos e participamos de uma reuni?o da equipe objetivando entender como tal atividade era percebida. Observamos que o uso de determinada concep??o de dan?a no ?mbito da sa?de mental encontra-se em conson?ncia com a Reforma Psiqui?trica, visto proporcionar uma outra forma de lidar com o corpo, distinta daquela produzida pela conten??o e pelo disciplinamento. Todavia, vimos que existe o risco de, em alguns momentos, o grupo ser mais um local de normaliza??o do que de experimenta??o de outras formas de se relacionar consigo e com outros. Notamos, ainda, que o dispositivo-dan?a aparece como um analisador importante das liga??es estabelecidas no CAPS, indicando uma necessidade do servi?o se abrir mais a produ??o de novas estrat?gias de cuidado e acolhimento, desconstruindo a l?gica manicomial de encarceramento da vida que ainda persiste no cotidiano daquela institui??o
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