The representation of thought in 'Circe': from James Joyce's Ulisses to Sean Walsh's Bloom

The representation of thought in 'Circe': from James Joyce's Ulisses to Sean Walsh's Bloom

=== 'Bloom', Sean Walsh's filmic adaptation of James Joyce's 'Ulysses', brings to screen Leopold Bloom's, Stephen Dedalus', and Molly Bloom's representation of thought. Relying on Robert Humphrey's theory of stream of consciousness in literature and...

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Main Author: Cibele Braga Silva
Other Authors: Thais Flores Nogueira Diniz
Format: Others
Language:English
Published: Universidade Federal de Minas Gerais 2008
Online Access:http://hdl.handle.net/1843/ECAP-7J6H3T
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spelling ndltd-IBICT-oai-bibliotecadigital.ufmg.br-MTD2BR-ECAP-7J6H3T2019-01-21T17:53:08Z The representation of thought in 'Circe': from James Joyce's Ulisses to Sean Walsh's Bloom Cibele Braga Silva Thais Flores Nogueira Diniz Magda Veloso Fernandes de Tolentino Thomas La Borie Burns Julio Jeha 'Bloom', Sean Walsh's filmic adaptation of James Joyce's 'Ulysses', brings to screen Leopold Bloom's, Stephen Dedalus', and Molly Bloom's representation of thought. Relying on Robert Humphrey's theory of stream of consciousness in literature and Haim Callev's theory of stream of consciousness on screen, the present research aims at analyzing the tools used by the filmmaker to make feasible such representations. Moreover, Gérard Gennete's contemporaneous theory of transtextuality is used to identify and bring to light the differences and intersections between the mentioned novel and film xxx 2008-09-02 info:eu-repo/semantics/publishedVersion info:eu-repo/semantics/masterThesis http://hdl.handle.net/1843/ECAP-7J6H3T eng info:eu-repo/semantics/openAccess text/html Universidade Federal de Minas Gerais 32001010056P6 - LETRAS: ESTUDOS LITERÁRIOS UFMG BR reponame:Biblioteca Digital de Teses e Dissertações da UFMG instname:Universidade Federal de Minas Gerais instacron:UFMG
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language English
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description === 'Bloom', Sean Walsh's filmic adaptation of James Joyce's 'Ulysses', brings to screen Leopold Bloom's, Stephen Dedalus', and Molly Bloom's representation of thought. Relying on Robert Humphrey's theory of stream of consciousness in literature and Haim Callev's theory of stream of consciousness on screen, the present research aims at analyzing the tools used by the filmmaker to make feasible such representations. Moreover, Gérard Gennete's contemporaneous theory of transtextuality is used to identify and bring to light the differences and intersections between the mentioned novel and film === xxx
author2 Thais Flores Nogueira Diniz
author_facet Thais Flores Nogueira Diniz
Cibele Braga Silva
author Cibele Braga Silva
spellingShingle Cibele Braga Silva
The representation of thought in 'Circe': from James Joyce's Ulisses to Sean Walsh's Bloom
author_sort Cibele Braga Silva
title The representation of thought in 'Circe': from James Joyce's Ulisses to Sean Walsh's Bloom
title_short The representation of thought in 'Circe': from James Joyce's Ulisses to Sean Walsh's Bloom
title_full The representation of thought in 'Circe': from James Joyce's Ulisses to Sean Walsh's Bloom
title_fullStr The representation of thought in 'Circe': from James Joyce's Ulisses to Sean Walsh's Bloom
title_full_unstemmed The representation of thought in 'Circe': from James Joyce's Ulisses to Sean Walsh's Bloom
title_sort representation of thought in 'circe': from james joyce's ulisses to sean walsh's bloom
publisher Universidade Federal de Minas Gerais
publishDate 2008
url http://hdl.handle.net/1843/ECAP-7J6H3T
work_keys_str_mv AT cibelebragasilva therepresentationofthoughtincircefromjamesjoycesulissestoseanwalshsbloom
AT cibelebragasilva representationofthoughtincircefromjamesjoycesulissestoseanwalshsbloom
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