| Summary: | Linha de pesquisa: Educa??o, cultura e sa?de. === Submitted by Jos? Henrique Henrique (jose.neves@ufvjm.edu.br) on 2018-01-09T18:18:37Z
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Previous issue date: 2017 === Comunidades religiosas de diversas ramifica??es usam o som ou a m?sica para auxiliar no
restabelecimento da sa?de. A fim de conseguirem esse intento, promovem um encontro com as
divindades em outra dimens?o, que os ajudam a curar. Utilizam de instrumentos musicais,
especialmente os percussivos, que s?o o elo entre o Terreno e o Divino. Inspirado, nesse
universo curioso e instigante, que o presente estudo enfoca uma rela??o entre a vis?o social da
doen?a, a vis?o social da natureza e as pr?ticas de cura que a envolve. Pr?ticas exercidas por
comunidades tradicionais que utilizam da m?sica e da espiritualidade como formas de ativar a
sa?de. A pesquisa tem, como objetivo principal, buscar a percep??o de membros de
comunidades religiosas, em especial o Candombl?, sobre a influ?ncia e ou sentimento causado
pelo som ou m?sica, durante o ritual (culto) religioso, e sua influ?ncia no processo
sa?de/doen?a. ? um estudo direcionado, para um contexto social, que se utilizou do recurso de
entrevistas semiestruturadas, observa??o participante e emprego da hist?ria oral tem?tica. O
trabalho de campo foi desenvolvido nos Terreiros de Candombl? Il? Ax? Abalua? e Mam?e
Oxum localizados em Diamantina ? Minas Gerais. Constatou-se que a m?sica ? essencial na
vida das pessoas das comunidades tradicionais do Candombl?. M?sica que demonstra ser
suporte imprescind?vel, para a religiosidade exercida nos rituais, principalmente os de cura.
Tudo isso envolto, por uma profunda emo??o, originada pela trilogia insepar?vel: m?sica
percussiva, canto e dan?a, onde a f? nutre a esperan?a de um bem estar alicer?ado pela natureza,
que ? o ?ber?o? espiritual dos cultos afro. Percebeu-se tamb?m que os terreiros de Candombl? de
Diamantina ? Minas Gerais sabem conviver, com a intoler?ncia religiosa, mas subtende-se que
os candomblecistas nutrem ?m?goa? para lidar com isso. === Disserta??o (Mestrado Profissional) ? Programa de P?s-Gradua??o em Sa?de, Sociedade e Ambiente, Universidade Federal dos Vales do Jequitinhonha e Mucuri, 2017. === Religious communities of diverse ramifications use sound or music to aid in the reestablishment
of health. In order to achieve this, they promote a meeting with the deities in another dimension,
which helps them heal. They use musical instruments, especially the percussive ones, which are
the link between the Terrain and the Divine. Inspired in this curious and instigating universe, the
present study focuses on a relationship between the social view of the disease, the social view of
nature and the healing practices that surround it. Practices practiced by traditional communities
that use music and spirituality as ways of activating health. The main objective of the research is
to seek the perception of members of religious communities, especially Candombl?, about the
influence and / or feeling caused by sound or music during religious ritual (cult), and its
influence on the health / disease process . It is a study aimed at a social context, which used the
resource of semi-structured interviews, participant observation and employment of thematic oral
history. The fieldwork was developed in Candombl? Il? Ax? Abalua? and Mamma Oxum
Terreiros located in Diamantina - Minas Gerais. It was verified that music is essential in the life
of the people of the traditional communities of Candombl?. Music that demonstrates to be
essential support for the religiosity exercised in rituals, especially those of healing. All this is
surrounded by a deep emotion, originated by the inseparable trilogy: percussive music, song and
dance, where faith nourishes the hope of a well-being founded by nature, which is the spiritual
'cradle' of Afro cults. It was also noticed that the Candombl? de Diamantina-Minas Gerais
terreiros know how to live, with religious intolerance, but it is understood that the
candomblecistas nourish 'sorrow' to deal with it.
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