War and déjà vu : Mamoru Oshii's Patlabor 2 and The sky crawlers
Mamoru Oshii’s war centered oeuvre offers a unique, prophetic and radical way of thinking about the relationship between war and peace. This dissertation focuses on his two animation films Patlabor 2(1993) and The Sky Crawlers(2008), as their similarity and contrast can offer a critical entry for un...
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2014
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ndltd-HKU-oai-hub.hku.hk-10722-2071322015-07-29T04:02:51Z War and déjà vu : Mamoru Oshii's Patlabor 2 and The sky crawlers Zhang, Ziyan Mamoru Oshii’s war centered oeuvre offers a unique, prophetic and radical way of thinking about the relationship between war and peace. This dissertation focuses on his two animation films Patlabor 2(1993) and The Sky Crawlers(2008), as their similarity and contrast can offer a critical entry for understanding his dynamic speculation of war. His works address the issues around electronics technology-aid warfare, media representation of war, video war game culture, religious ideology and so forth, which are of political urgencies in contemporary Japanese society and beyond. Central to the two films is the subject of war as a concurrent and fundamental reality as well as structure under the myth of peace or stability. These two films also serve as a critical reflection upon the theoretical issues arising from Michel Foucault’s genealogical writings on war and Jean Baudrillard’s account of simulation, symbolic exchange and death. published_or_final_version Literary and Cultural Studies Master Master of Arts 2014-12-09T23:17:06Z 2014-12-09T23:17:06Z 2014 PG_Thesis 10.5353/th_b5325490 b5325490 http://hdl.handle.net/10722/207132 eng HKU Theses Online (HKUTO) The author retains all proprietary rights, (such as patent rights) and the right to use in future works. Creative Commons: Attribution 3.0 Hong Kong License The University of Hong Kong (Pokfulam, Hong Kong) |
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English |
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description |
Mamoru Oshii’s war centered oeuvre offers a unique, prophetic and radical way of thinking about the relationship between war and peace. This dissertation focuses on his two animation films Patlabor 2(1993) and The Sky Crawlers(2008), as their similarity and contrast can offer a critical entry for understanding his dynamic speculation of war. His works address the issues around electronics technology-aid warfare, media representation of war, video war game culture, religious ideology and so forth, which are of political urgencies in contemporary Japanese society and beyond. Central to the two films is the subject of war as a concurrent and fundamental reality as well as structure under the myth of peace or stability. These two films also serve as a critical reflection upon the theoretical issues arising from Michel Foucault’s genealogical writings on war and Jean Baudrillard’s account of simulation, symbolic exchange and death. === published_or_final_version === Literary and Cultural Studies === Master === Master of Arts |
author |
Zhang, Ziyan |
spellingShingle |
Zhang, Ziyan War and déjà vu : Mamoru Oshii's Patlabor 2 and The sky crawlers |
author_facet |
Zhang, Ziyan |
author_sort |
Zhang, Ziyan |
title |
War and déjà vu : Mamoru Oshii's Patlabor 2 and The sky crawlers |
title_short |
War and déjà vu : Mamoru Oshii's Patlabor 2 and The sky crawlers |
title_full |
War and déjà vu : Mamoru Oshii's Patlabor 2 and The sky crawlers |
title_fullStr |
War and déjà vu : Mamoru Oshii's Patlabor 2 and The sky crawlers |
title_full_unstemmed |
War and déjà vu : Mamoru Oshii's Patlabor 2 and The sky crawlers |
title_sort |
war and déjà vu : mamoru oshii's patlabor 2 and the sky crawlers |
publisher |
The University of Hong Kong (Pokfulam, Hong Kong) |
publishDate |
2014 |
url |
http://hdl.handle.net/10722/207132 |
work_keys_str_mv |
AT zhangziyan waranddejavumamoruoshiispatlabor2andtheskycrawlers |
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1716814546005393408 |