A Conductor's Analysis of Gabriel Faure's Requiem, Op. 48

Gabriel Fauré’s Requiem, Op. 48 was an evolving work, which he continued to revise from its inception in 1887 until the published version of 1900. The focus and intent of this paper is to present a detailed analysis of Requiem, Op. 48 as well as historical background to aid conductors in the prepara...

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Main Author: McKendrick, Ryan Parker
Format: Others
Published: ScholarWorks @ Georgia State University 2007
Subjects:
Online Access:http://scholarworks.gsu.edu/music_theses/2
http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1001&context=music_theses
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spelling ndltd-GEORGIA-oai-scholarworks.gsu.edu-music_theses-10012014-04-18T03:41:43Z A Conductor's Analysis of Gabriel Faure's Requiem, Op. 48 McKendrick, Ryan Parker Gabriel Fauré’s Requiem, Op. 48 was an evolving work, which he continued to revise from its inception in 1887 until the published version of 1900. The focus and intent of this paper is to present a detailed analysis of Requiem, Op. 48 as well as historical background to aid conductors in the preparation and performance of this work. Discussions include the history of the requiem mass as a liturgical form, the evolution of Requiem, Op. 48, the John Rutter edition (1984) and his research, and a conductor’s analysis addressing issues of harmony, form, and style. 2007-05-04T07:00:00Z text application/pdf http://scholarworks.gsu.edu/music_theses/2 http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1001&context=music_theses Music Theses ScholarWorks @ Georgia State University Requiem Gabriel Fauré Conductor Thesis Analysis John Rutter Choral Conducting History
collection NDLTD
format Others
sources NDLTD
topic Requiem
Gabriel Fauré
Conductor
Thesis
Analysis
John Rutter
Choral Conducting
History
spellingShingle Requiem
Gabriel Fauré
Conductor
Thesis
Analysis
John Rutter
Choral Conducting
History
McKendrick, Ryan Parker
A Conductor's Analysis of Gabriel Faure's Requiem, Op. 48
description Gabriel Fauré’s Requiem, Op. 48 was an evolving work, which he continued to revise from its inception in 1887 until the published version of 1900. The focus and intent of this paper is to present a detailed analysis of Requiem, Op. 48 as well as historical background to aid conductors in the preparation and performance of this work. Discussions include the history of the requiem mass as a liturgical form, the evolution of Requiem, Op. 48, the John Rutter edition (1984) and his research, and a conductor’s analysis addressing issues of harmony, form, and style.
author McKendrick, Ryan Parker
author_facet McKendrick, Ryan Parker
author_sort McKendrick, Ryan Parker
title A Conductor's Analysis of Gabriel Faure's Requiem, Op. 48
title_short A Conductor's Analysis of Gabriel Faure's Requiem, Op. 48
title_full A Conductor's Analysis of Gabriel Faure's Requiem, Op. 48
title_fullStr A Conductor's Analysis of Gabriel Faure's Requiem, Op. 48
title_full_unstemmed A Conductor's Analysis of Gabriel Faure's Requiem, Op. 48
title_sort conductor's analysis of gabriel faure's requiem, op. 48
publisher ScholarWorks @ Georgia State University
publishDate 2007
url http://scholarworks.gsu.edu/music_theses/2
http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1001&context=music_theses
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