Only the lull I like, the hum of your valved voice

The intent of this thesis is to clarify my artistic working process as well as the resulting thesis exhibition, Only the lull I like, the hum of your valved voice. I will provide explanations and descriptions of my exhibition (comprising a select placement of objects) as well as offer antecedents, i...

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Main Author: Reese, Trevor
Format: Others
Published: ScholarWorks @ Georgia State University 2016
Subjects:
Online Access:http://scholarworks.gsu.edu/art_design_theses/206
http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1216&context=art_design_theses
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spelling ndltd-GEORGIA-oai-scholarworks.gsu.edu-art_design_theses-12162016-04-26T15:35:08Z Only the lull I like, the hum of your valved voice Reese, Trevor The intent of this thesis is to clarify my artistic working process as well as the resulting thesis exhibition, Only the lull I like, the hum of your valved voice. I will provide explanations and descriptions of my exhibition (comprising a select placement of objects) as well as offer antecedents, informants, and the evolution of my art practice as a whole during my graduate studies. Specifically the work is discussed through the lenses of situational aesthetics, conceptual relationships, and perceptual absence to argue for the complicated semantics of the viewer within an ontology of object-hood and pre-established conditions. 2016-05-07T07:00:00Z text application/pdf http://scholarworks.gsu.edu/art_design_theses/206 http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1216&context=art_design_theses Art and Design Theses ScholarWorks @ Georgia State University object ontology situational aesthetics relationships binary potential absence perception Michael Asher Thing Theory Mono-ha Leaves of Grass
collection NDLTD
format Others
sources NDLTD
topic object ontology
situational aesthetics
relationships
binary
potential
absence
perception
Michael Asher
Thing Theory
Mono-ha
Leaves of Grass
spellingShingle object ontology
situational aesthetics
relationships
binary
potential
absence
perception
Michael Asher
Thing Theory
Mono-ha
Leaves of Grass
Reese, Trevor
Only the lull I like, the hum of your valved voice
description The intent of this thesis is to clarify my artistic working process as well as the resulting thesis exhibition, Only the lull I like, the hum of your valved voice. I will provide explanations and descriptions of my exhibition (comprising a select placement of objects) as well as offer antecedents, informants, and the evolution of my art practice as a whole during my graduate studies. Specifically the work is discussed through the lenses of situational aesthetics, conceptual relationships, and perceptual absence to argue for the complicated semantics of the viewer within an ontology of object-hood and pre-established conditions.
author Reese, Trevor
author_facet Reese, Trevor
author_sort Reese, Trevor
title Only the lull I like, the hum of your valved voice
title_short Only the lull I like, the hum of your valved voice
title_full Only the lull I like, the hum of your valved voice
title_fullStr Only the lull I like, the hum of your valved voice
title_full_unstemmed Only the lull I like, the hum of your valved voice
title_sort only the lull i like, the hum of your valved voice
publisher ScholarWorks @ Georgia State University
publishDate 2016
url http://scholarworks.gsu.edu/art_design_theses/206
http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1216&context=art_design_theses
work_keys_str_mv AT reesetrevor onlythelullilikethehumofyourvalvedvoice
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