Only the lull I like, the hum of your valved voice
The intent of this thesis is to clarify my artistic working process as well as the resulting thesis exhibition, Only the lull I like, the hum of your valved voice. I will provide explanations and descriptions of my exhibition (comprising a select placement of objects) as well as offer antecedents, i...
Main Author: | |
---|---|
Format: | Others |
Published: |
ScholarWorks @ Georgia State University
2016
|
Subjects: | |
Online Access: | http://scholarworks.gsu.edu/art_design_theses/206 http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1216&context=art_design_theses |
id |
ndltd-GEORGIA-oai-scholarworks.gsu.edu-art_design_theses-1216 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-GEORGIA-oai-scholarworks.gsu.edu-art_design_theses-12162016-04-26T15:35:08Z Only the lull I like, the hum of your valved voice Reese, Trevor The intent of this thesis is to clarify my artistic working process as well as the resulting thesis exhibition, Only the lull I like, the hum of your valved voice. I will provide explanations and descriptions of my exhibition (comprising a select placement of objects) as well as offer antecedents, informants, and the evolution of my art practice as a whole during my graduate studies. Specifically the work is discussed through the lenses of situational aesthetics, conceptual relationships, and perceptual absence to argue for the complicated semantics of the viewer within an ontology of object-hood and pre-established conditions. 2016-05-07T07:00:00Z text application/pdf http://scholarworks.gsu.edu/art_design_theses/206 http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1216&context=art_design_theses Art and Design Theses ScholarWorks @ Georgia State University object ontology situational aesthetics relationships binary potential absence perception Michael Asher Thing Theory Mono-ha Leaves of Grass |
collection |
NDLTD |
format |
Others
|
sources |
NDLTD |
topic |
object ontology situational aesthetics relationships binary potential absence perception Michael Asher Thing Theory Mono-ha Leaves of Grass |
spellingShingle |
object ontology situational aesthetics relationships binary potential absence perception Michael Asher Thing Theory Mono-ha Leaves of Grass Reese, Trevor Only the lull I like, the hum of your valved voice |
description |
The intent of this thesis is to clarify my artistic working process as well as the resulting thesis exhibition, Only the lull I like, the hum of your valved voice. I will provide explanations and descriptions of my exhibition (comprising a select placement of objects) as well as offer antecedents, informants, and the evolution of my art practice as a whole during my graduate studies. Specifically the work is discussed through the lenses of situational aesthetics, conceptual relationships, and perceptual absence to argue for the complicated semantics of the viewer within an ontology of object-hood and pre-established conditions. |
author |
Reese, Trevor |
author_facet |
Reese, Trevor |
author_sort |
Reese, Trevor |
title |
Only the lull I like, the hum of your valved voice |
title_short |
Only the lull I like, the hum of your valved voice |
title_full |
Only the lull I like, the hum of your valved voice |
title_fullStr |
Only the lull I like, the hum of your valved voice |
title_full_unstemmed |
Only the lull I like, the hum of your valved voice |
title_sort |
only the lull i like, the hum of your valved voice |
publisher |
ScholarWorks @ Georgia State University |
publishDate |
2016 |
url |
http://scholarworks.gsu.edu/art_design_theses/206 http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1216&context=art_design_theses |
work_keys_str_mv |
AT reesetrevor onlythelullilikethehumofyourvalvedvoice |
_version_ |
1718248275068321792 |